‘Good Luck Sakhi’ movie review: Needed a lot more gravitas

Nagesh Kukunoor’s movie starring Keerthy Suresh is a throwback to less complicated occasions, however will get too simplistic and predictable

Had Good Luck Sakhi been a brief story in a e-book, it may have been a younger grownup fiction that harks again to less complicated occasions, narrating the story of a younger lady from a village who dusted off her unhealthy luck tag. As a movie, it unravels like a throwback to easier narratives of the Hindi cinema of the Nineteen Seventies. Kukunoor had acknowledged that he wrote the story making an attempt to maintain the vibe of Hrishikesh Mukherji. The primary hour just about exists in such a zone, regardless of the story being set in a fictitious Rayalaseema village the place a Telangana origin Sakhi (Keerthy Suresh) takes centre stage.

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It’s robust to look at the opening parts with out giving in to a giant smile. A baraat is on the best way to Sakhi’s home and a bunch of youngsters assume it’s enjoyable to welcome the groom with crackers. Bowled over, the horse goes rogue and leaves the groom with a damaged limb. Apparently, he isn’t the primary groom to have suffered because of Sakhi’s unhealthy luck. No person thinks the firecrackers are an issue! All of it unfolds like a Hollywood musical, with Devi Sri Prasad setting the temper with the pleasant ‘Adigo vastundi unhealthy luck Sakhi…’

Good Luck Sakhi

  • Solid: Keerthy Suresh, Aadhi Pinisetty, Jagapathi Babu, Rahul Ramakrishna
  • Path: Nagesh Kukunoor
  • Music: Devi Sri Prasad

The milieu is charming. Chirantan Das’s cinematography captures the earthiness and the pop of colors. Sakhi is unmindful of her unfortunate tag and asserts that she’s going to rewrite her doomed destiny. The parts the place she meets her childhood buddy ‘goli’ Raju aka Ramarao (Aadhi Pinisetty), now a theatre actor, are enjoyable to look at, accentuated with the sport of marbles and the village sweet vendor.

The arrival of a former Colonel (Jagapathi Babu) who needs to mentor capturing lovers within the village modifications the course of issues. These parts are additionally set in a well-known zone, with humour pervading the narrative till the Colonel finds Sakhi and Suri (Rahul Ramakrishna) to be worthy of mentoring. The unstated romance between Ramarao and Sakhi, the vicious nature of Suri and the rising confidence of Sakhi, coupled together with her admiration and fondness for her guru are the assorted elements the story offers with. Keerthy Suresh performs Sakhi with an harmless appeal and Jagapathi Babu and Aadhi Pinisetty are sufficient of their components.

There are just a few good touches. As an example, the scene during which Sakhi speaks up in a panchayat and lets folks know what she needs. Elsewhere, she exhibits that she is able to defending herself when harassed. However all this doesn’t really feel sufficient because the story progresses.

Nothing feels insurmountable in Sakhi’s journey — neither the conflicts that come up as a result of issues of the guts nor the troublemaker who surreptitiously tries to derail her. The story wanted gravitas. It’s one factor to indicate how Sakhi’s razor-sharp focus that helped her in marbles in childhood additionally coming in helpful for capturing. However we by no means get the sensation that Sakhi really yearns to be a sportsperson. What does successful imply to her, past eliminating her unhealthy luck tag? We by no means know. Above all, what made the Colonel open a capturing vary within the village even earlier than he knew there can be takers for it?

If the story had extra depth, it may have been one other Iqbal an underdog story of small city aspirations and triumph in opposition to all odds. However it falls manner brief. Kukunoor’s Telugu debut movie may have been a lot extra.

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