‘Manchi Rojulochaie’ movie review: A mawkish take on parenthood – The Hindu

The Telugu movie directed by Maruthi that stars Ajay Ghosh, Santosh Shoban and Vennela Kishore follows an overprotective dad, however the story falls wanting impressing the viewers

Director Maruthi understands the heart beat of the viewers, he picks a selected level and weaves a narrative round it. This time, it’s about residing with a phobia. The lead position of Gopalam, performed by character artiste Ajay Ghosh, is stuffed with fears about his family members. Apparently, as a toddler, he would get up in the course of his sleep, to test if his mom was round after which return to sleep. His insecurities develop with age and now as a mother or father, he fears that his daughter may fall for the fallacious man.

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When the movie begins, Gopalam is a cheerful individual, the neighbours’ envy. That’s till two neighbours instil the concern that his daughter Paddhu (Mehreen) may very well be relationship her colleague. That’s sufficient for Gopalam to get suspicious and put a blanket ban on her going out of the home. Is that caring or distrustful? Maruthi appears to falter right here. The overprotective father’s fears are seemingly fed by the neighbours’s double entendre-laced dialogues on Paddhu’s escapades and the hero Santu (Santosh Shoban) continuously searching for bodily proximity together with her. That Santu loves Paddhu is understood solely later.

Because the narrative progresses, the complexities pile up, the ultimate being a COVID-19 assault. Gopalam restricts himself to a room however when his mom is contaminated and hospitalised, he gathers the braveness to go see her. The physician (Vennela Kishore) pronounces a medical miracle —the mom has survived — all as a result of she is amongst her family members within the hospital. Whereas this dramatic cinematic liberty, in addition to puerile jokes that elicit laughter, could also be excused, one does want the dialogues weren’t so prolonged.

‘Manchi Rojulochaie’

  • Solid: Ajay Ghosh, Mehreen, Santosh Shoban, Vennela Kishore
  • Path: Maruthi
  • Music: Anup Rubens

Ajay Ghosh because the chicken-hearted soul is the center and soul of the movie. Although he’s partaking at instances, we watch for the opposite characters to step in. Mehreen and Santosh Shoban match their roles properly

Maruthi reveals comedy is his forte, with the arrival of Saptagiri. Whereas the music isn’t fairly on top of things, the cinematography is gorgeous. Although Maruthi selected a pleasant idea about residing in concern, he appears to have misplaced the steadiness by creating extreme jokes round a sentiment.

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