November Story Review: Tamannaah's web series is a convoluted mess – India Today

November Story marks Tamannaah’s second internet sequence within the final couple of months. On this thriller, directed by Ram aka Indhra Subramanian, she performs Anuradha Ganesan, a hacker able to go to any lengths to save lots of her father, who’s suspected to have dedicated a gory homicide. The seven-episode sequence runs for almost four-and-a-half hours.

Anu (Tamannaah) has work on one facet and her father Ganesan (GM Kumar), against the law novel author, on the opposite. Ganesan is recognized with early-onset Alzheimer’s and desires fixed monitoring. Sooner or later, she finds him of their outdated home, with a lady in a pool of blood. Anu is aware of that her father wouldn’t have completed it. However, proof is towards him.

In the meantime, there’s Malar (Vivek Prasanna), who has taken up a temp job at a police station to digitise FIR data. Three boys from Hyderabad, who’re accused of raping a lady, escaped to Chennai. There’s a flashback portion narrating the story of Pasupathy, a forensic physician. All these tales are presupposed to be interlinked. However, what’s the connection?

Director Ram Subramanian’s story has the potential to be transformed right into a taut thriller. However, the paper-to-screen translation didn’t work in his favour. Each character has a again story and is well-developed. But, the story has main logical loopholes that put you off.

Additionally, the story going forwards and backwards in narrative will get taxing past a degree. Sure scenes have been undesirable and have been merely positioned for comfort. The hacking episode on the police station, for instance, is one such. It appears undesirable within the bigger scheme of issues and likewise provides you the impression that it was positioned simply to seek out out clues within the homicide case. Jamming so many issues into the screenplay makes you’re feeling that the proceedings have been intentionally made difficult to maintain the viewers guessing.

Tamannaah performs an clever hacker within the sequence. She’s robust and bold-enough to face any state of affairs. When the police and the forensic group conduct an enquiry at their outdated home, there isn’t a seen pressure in her face. That was the case in lots of intense scenes. She delivered a wonderful efficiency in emotional scenes, however there are solely a handful of these.

Pasupathy’s character as Kulandhai Yesu is advanced and intriguing. It’s within the penultimate and the ultimate episode the place his performing prowess takes you into the story. The twist, although we see it coming, was conveyed properly. And the flashback scenes at the beginning of each episode set good priority to the present’s ending.

GM Kumar’s efficiency, too, is satisfactory to maintain us guessing until the tip. Sadly, Vivek Prasanna’s position is diminished to being a caricature.

Director Ram’s hyperlink story narration has labored within the final couple of episodes. However, the earlier episodes offer you a sense that the story is stretched too far than it ought to have been. A homicide thriller with stable storytelling has its personal benefit. However, when the story is difficult to make it look higher, it will get diluted.

Cinematographer Vidhu Ayyana’s work is ideal for the temper of the scene. So did editor Sharan Govindasamy. Composer Saran Raghavan’s music provides you a cue to really feel the totally different moods of the present. The theme music deserves a separate point out.

November Story might have been an incredible homicide thriller, if not for its size and a few logical loopholes.

2 out of 5 stars for November Story.

ALSO SEE | November Story trailer out. Tamannaah’s internet sequence to launch on Could 20

ALSO SEE | Tamannaah pens emotional word urging all to remain protected throughout Covid second wave

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