Saas Bahu and Flamingo review: Dimple Kapadia-fronted series is heady, a barrel of fun – The Indian Express

In ‘Saas Bahu and Flamingo, Homi Adajania offers us a heady mixture of genres – desi western, feminist fable, bursting with feisty girls, laced with gleeful gore and grunge, and altogether a barrel of untamed enjoyable.

Savitri (Dimple Kapadia) is a drug lord (or woman, if you wish to be like that), who operates out of a sprawling haveli in fictional Rann Pradesh, surrounded by her crack workforce comprising two daughters-in-law, Kajal (Angira Dhar) and Bijlee (Isha Talvar), and her daughter Shanta (Radhika Madan). The fearsome foursome guidelines the roost, with the assistance of snazzy satellite tv for pc telephones, buddies in proper locations, and the enviable skill to remain three steps forward of their enemies, which incorporates the slate-eyed Monk (Deepak Dobriyal) and his henchmen, and hot-on-everyone’s-heels cop Prashun (Jimit Trivedi ).

Their frenemies are all the time on their radar too: Savitri’s two sons Harish (Ashish Verma) and Kapil (Varun Mitra), bumming round within the US, again dwelling on a break, clueless about their mom’s actual ‘occupation’, are extra legal responsibility than asset; and a highly-placed politico (Naseeruddin Shah), who as soon as helped Savitri discover her ft, continuously calling in his favours, is now solely on his personal aspect.

The sequence kicks proper in from episode one, which is a flurry of introductory passages: a strong politician’s son falls frothing to the bottom after ingesting a mouthful of adulterated white powder, and abruptly Savitri’s Rani Corporative, which is a canopy for all issues unlawful, is in peril. A kickass cost of the feminine brigade at a raiding social gathering is each environment friendly and exhilarating: because the camel-borne attackers fall lifeless or are skewered in unimaginable methods, we all know we’re in for a journey.

Watch Saas Bahu and Flamingo trailer:

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I couldn’t assist feeling that ‘Saas Bahu aur Flamingo’ is far too prosaic a title for a sequence which fits full tilt at giving us a whirling, dizzying plot with a number of strands which generally straggle however tighten simply in time. I received impatient in locations when the sequence goes off on inconsequential, fuzzy tangents, however I by no means fell out of it.

And that’s as a result of the folks concerned within the rumbustious story-telling, creator-director Homi Adajania, in addition to his writers Saurav Dey, Nandini Gupta and Aman Mannan, are clearly having a blast.The dialogues are perky, apart from one or two slips-ups: when a personality says, for instance, ‘yeh kya thaa’, you clearly hear ‘what was that’. The sound design is good, with a really Sergio Leone beat to it; so is the cinematography, as extensive and expansive because the Rann. It’s all very infectious.

The backstories of a number of the chief characters, together with our Supremo Savitri, spherical them off, making them full. That’s a plus. As additionally sustaining the drama– heightened and exaggerated and even outlandish in bits, as befits a sequence like this — over eight 50 minute episodes. The performances are all prime notch. Dimple Kapadia has been on this territory earlier than: in Kalpana Lajmi’s 1993 ‘Rudali’, she sported comparable distinctive tattoos, the ghaghras and odhnis, the heavy silver jewelry. She jogged my memory of Shabana Azmi’s ‘Godmother’ when she hoicks a leg on a chair right here. The distinction now’s that Kapadia has grown into her enticing face, making her sexy-as-all-get-out: she is effortlessly answerable for the room, and the state of affairs.

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Ashish Verma’s Harish is a stand-out too, as he bashes his drug-addled mind into form; Jimit Trivedi leaves an affect. Deepak Dobriyal shouldn’t be as menacing as he seems to be, and everytime he comes on, there’s a distinct dip in vitality. But it surely doesn’t actually matter an excessive amount of, as a result of the boys are supposed to play second fiddle. The sequence is evident the place its sympathies lie, with the towering ‘saas’ and cunning ‘bahus’, and the shut feminine associates who assist run this Pablo Escobar-type enterprise. Because the crack chemist cooking up issues in her lab, ‘beti’ Radhika Madan catches the attention, however is at risk of coming off acquainted, particularly in the way in which she mumbles her dialogues.

The sequence involves an ideal sequel worthy-halt, and I can’t wait to search out out who the actual ‘waaris’ is, on this dodgy household enterprise: Savitri might actually educate ‘Succession’s Logan Roy a factor or two, in the way in which she is all the time on prime.

Saas Bahu and Flamingo forged: Dimple Kapadia, Angira Dhar, Isha Talvar, Radhika Madan, Deepak Dobriyal, Jimit Trivedi, Naseeruddin Shah, Ashish Verma, Varun Mitra
Saas Bahu and Flamingo director: Homi Adjania

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