Teri Baaton Mein Aisa Uljha Jiya movie review: Shahid Kapoor-Kriti Sanon serve confused mish-mash of genres | Movie-review News
Shahid Kapoor makes a great lover. His act could also be practised and rehearsed however in terms of doing the pyaar-vyaar factor, you continue to go ahhh. And that goes even when he’s with the newest object of his adoration, Kriti Sanon’s Sifra, a super-intelligent robotic who appears to be like and feels human.
However, and that is the factor, this holds true solely a few of the occasions, as a result of massive tracts of ‘Teri Baaton Mein Aisa Uljha Jiya’, a long-winded title of a movie which feels even longer, is simply such a confused mish-mash of genres, full of tropey characters: sci-fi meets mushy romance meets loving Indian parivaar. Kya yaar.
Cool cat Aryan (Shahid Kapoor) and greatest pal Monty (Ashish Verma) float round an opulent workplace speaking robotics till it’s time for the previous to meet-cute Sifra, someplace within the USA, beneath the benign eye of his super-creator maasi (Dimple Kapadia). That is the form of movie which feels comfy labelling a generic scene ‘USA’, simply in case we discover names of particular cities too weighty.
So right here we’re, in Amrika, with a shaadi-phobic male and a surprising feminine robotic in shut confines. So in fact there’s tune and sizzle, with sheets getting properly rumpled. Aryan aka Aaru is aware of the reality, and but finds himself hopelessly smitten, as Sifra goes about being a possible dutiful Indian spouse, saying ‘theek hai’ to the whole lot he says.
Watch Teri Baaton Mein Aisa Uljha Jiya film trailer:
Ooh, you suppose, may we be in for a grown-up relationship film, with existential questions on males and machines, the ethics concerned in creating robots with human emotions, and the entire query of management. Haha, gotcha, the filmmakers retort, as they plonk us again in ‘Hum Aapke Hain Koun’ territory with a collective gathering of mummyji, daddyji, dadaji (Dharmendra), bua, phoofa, and the statutory scenes full of with sagaai, sangeet, and Manyavar suitings. Sigh.
For a movie which desires to be a household entertainer, there are risible sequences that includes males peering down low-cut blouses-and-bosoms, and tasteless spouse jokes. Monty the Hero’s Finest Pal does precisely what BFFs have accomplished for many years, make the hero look good: when will this oldest, creakiest machine be dumped?
A number of the snappiest strains within the film are reserved for Kapoor, and when he isn’t being mannered and aware of his hero-status– only a man standing in entrance of a gal– he reminds you that he may be one thing to have a look at, like he did again in ‘Jab We Met’. After which the film is taken away from the strengths he performs to, and begins swinging wildly: is it a robot-com, or a robot-horror, or simply one other stab at this, that and the opposite?
Teri Baaton Mein Aisa Uljha Jiya film forged: Shahid Kapoor, Kriti Sanon, Dharmendra, Dimple Kapadia, Ashish Verma, Anubha Fatehpuria, Rakesh Bedi, Grusha Kapoor
Teri Baaton Mein Aisa Uljha Jiya film administrators: Amit Joshi, Aradhna Seth
Teri Baaton Mein Aisa Uljha Jiya film ranking: 2 stars
