2022 Bollywood Rewind & Review: The year of high-concept movies & breakthrough genres | Hindi Movie News
Physician G
Physician G, a medical campus comedy-drama backed by Junglee Footage, is as uncommon because it will get. Anubhuti Kashyap’s movie, headlined by Ayushmann Khurrana, Rakul Preet Singh and Shefali Shah, cleverly addressed prejudice and gender stereotypes via the happenings within the lifetime of a lone male pupil within the gynaecology division with a splash of humour.
Badhaai DoBadhaai Do, one other gem from Junglee Footage’ steady, was applauded for highlighting a person’s proper to make selections no matter their gender or sexual orientation. Harshavardhan Kulkarni’s heartfelt movie supplied an perception into lavender marriages, a topic by no means explored in our cinema earlier than. The movie starring Rajkummar Rao, Bhumi Pednekar and Chum Darang, received immense appreciation for presenting the topic with sensitivity, finesse and humour.
Bhediya
Creature comedy Bhediya that includes Varun Dhawan, Kriti Sanon and Abhishek Banerjee broke new floor in Hindi cinema. Be the particular results, man-to-werewolf transformation or its bold scale, director Amar Kaushik delivered a spectacular journey with a related and essential message at its core.
Monica, O My Darling
Vasan Bala’s neo-noir crime thriller is unabashedly filmy, proper from its title and music. The movie that includes Huma Qureshi, Rajkummar Rao, Sikandar Kher and Radhika Apte doffs its hat to retro Bollywood. After a homicide adopted by deception and chaos, the movie transcends genres to maintain you engaged and affords you a stable, entertaining trip.
Brahmastra
Ayan Mukerji’s ardour undertaking, Brahmastra, gave beginning to ‘Astraverse’ — Bollywood’s first try at making a superhero universe. With this Ranbir Kapoor, Amitabh Bachchan and Alia Bhatt-starrer, which opened to massive numbers, Bollywood made its foray into superhero spectacles with spectacular VFX.
Darlings
Alia Bhatt’s debut as a producer, Darlings, is a satirical portrait of home violence. Seen via the eyes of a mother-daughter duo (Alia and Shefali Shah), the Jasmeet Okay Reen directorial tackled tragedy with humour. The movie, with stellar performances by Alia, Shefali and Vijay Verma, took a more in-depth take a look at patriarchy and home abuse.
Jalsa
With a hit-and-run case at its core, Suresh Triveni’s Jalsa challenged the viewers’s notions of reality, morality and survival. The movie made a robust case for altering notions of proper and improper. A gripping portrayal of guilt and self-reflection, this Vidya Balan and Shefali Shah-starrer was a high quality psychological drama, which refused to observe a sample.
Gehraiyaan
Maybe probably the most debated and mentioned film of the yr, Shakun Batra’s darkish, twisty love triangle, or ought to we are saying quadrangle, pushed the boundaries of complicated relationships. The narrative of the movie, starring Deepika Padukone, Siddhant Chaturvedi and Ananya Panday, which unfolded like a psychological thriller broke away from the same old fashion of Bollywood storytelling. It explored the home noir style, which isn’t frequent in our cinema.
Thar
Consumed by menacing darkness and graphic violence — writer-director Raj Singh Chaudhary’s movie is an atmospheric, fascinating reimagining of western noir. It used the style’s tropes with a twist and the gamble labored in establishing rigidity and paranoia. Thar, starring Anil Kapoor, Harsh Varrdhan Kapoor and Fatima Sana Shaikh, highlights the socio-political establishment and caste discrimination. One of the vital technically sound movies of the yr, its manufacturing and sound design additionally deserve a particular point out.
RK/RKAY
A narrative a couple of filmmaker whose protagonist escapes his film throughout the film, Rajat Kapoor’s meta dramedy was experimental and probably the most fascinating movies of the yr.
An Motion Hero
Debutant writer-director Anirudh Iyer delivered a cleverly crafted motion comedy that additionally made a pointy statement on the present state of affairs within the leisure business.
Tales that weren’t informed earlier are coming to the forefront: Rajkummar Rao
Badhaai Do tells an essential story in a enjoyable, fascinating manner. It issues how a narrative is informed. The credit score goes to the makers for being so courageous and backing these tales. This transformation was wanted. Cinema is a strong artwork kind. We can’t preserve telling the identical tales yr after yr. We have to push the boundaries. Tales that weren’t informed earlier are coming to the forefront now. Badhaai Do talks about acceptance — self and in any other case.
2022 was the yr when new worlds have been explored in cinema: Harsh Varrdhan Kapoor In 2022, we noticed a brand new fashion of storytelling and narratives, extra subtlety in performances, and topics the place heroes and antagonists have been now not predictable. I completely assume that 2022 was the yr when new worlds have been explored in cinema. At the moment, you’ve got the freedom to decide on your strategy in direction of a personality. OTT has modified the sport.