Ved Review – Rediff.com movies
The ‘been there, seen that’ feeling is so robust with Ved that it punctures any chance of a compelling watch, Mayur Sanap tells us.
The topic of star-crossed lovers and the theme of ‘love conquers all’ has been handled so continuously in movies, tv and literature that you could be surprise what extra there may be to say concerning the subject.
If Riteish Deshmukh’s directorial debut Ved is any instance, the reply is: Not a lot.
Becoming a member of the remake bandwagon, Ved (which means madness) is the Marathi adaptation of 2019’s Telugu movie Majili, staring then couple Naga Chaitanya and Samantha. It paints the story about doomed love and what it means to like unconditionally.
The unique movie was largely an intense marital drama which turned fairly a rage in Tollywood, due to the immense fandom of the lead actors.
The charming pair of Riteish and Genelia has the identical magnetic pull among the many lots, so maybe the concept of rehashing the hit formulation was an amazing proposition for them (Genelia additionally serves because the movie’s producer).
However the ‘been there, seen that’ feeling is so robust with this Marathi movie that it punctures any chance of a compelling watch.
The story of Ved revolves round Satya (Riteish), an alcoholic and failed cricketer, who’s a purpose of fixed fear to his docile spouse Shravani (Genelia) and a burden on his frail father Dinkar (Ashok Saraf).
Whereas the individuals round him are doing each bit to assist Satya, he has been on a harmful downward spiral for years resulting from an emotional void left by the love of his life, Nisha (Jiya Shankar).
Ved is actually a story of two halves.
The primary half is essentially concerning the meet-cute and blossoming of younger romance between Satya and Nisha.
A generic setting of hate-turns-love and its imminent obstacles types the preliminary proceedings till it abruptly shifts gears to a extra critical and dramatic marital story.
The writing by Rushikesh Turai, Sandeep Patil and Riteish himself makes use of many handy plot instruments to convey the narrative ahead.
As a director, Riteish makes certain to not make issues too gloomy and retains the narrative as light-hearted as attainable.
The soothing music by Ajay-Atul is the beating coronary heart of the movie with Besuri being the true standout.
Riteish makes use of this tune to type the attractive montage that gives perspective on the backstory of Genelia’s character. There’s a contact of humour which prevents the viewers from tipping over to the purpose the place all of it seems like an overdose.
The very competent Ashok Saraf tries to hold these scenes with an amazing zeal.
Riteish channels his internal Kabir Singh/Arjun Reddy to showcase the fashion and angst of a misplaced Satya and he’s particularly good in these scenes.
From grief and anger, to frustration and cynicism, Riteish expresses a gamut of feelings in a wonderful efficiency. The most important draw is seeing him and Genelia work together and regardless of their surprisingly hammy Marathi, they profit lots from their innately charming chemistry.
After all, the massive intrigue right here is Genelia. She has a luminous presence and conveys extra along with her expressions than dialogues.
She performs a girl who’s so obsessed along with her unrequited teenage love that she simply cannot see life pragmatically.
Her Shravani is a meek, quiet spouse stereotype who doesn’t have any company of her personal.
She whimpers when harm by her husband’s heedless actions.
She has taken upon herself to help her husband, who’s nothing greater than a wimp however we see no efforts from her to instill any sense into him.
Is not the explanation why she received into the wedding was to see him do higher?
If she actually was so selfless, what prompts her to alter her thoughts in direction of the tip?
One is left eager for a better perception into why and the way their relationship has reached thus far.
It additionally doesn’t assist that the movie emits a way of maximum familiarity.
A wrecked love story resulting from woman’s stern father.
A jilted lover because the hero.
A menacing baddie bitter concerning the hero.
A hero’s disenchanted father.
A loyal buddy who exists solely to help the hero.
Now we have seen these conventions, these characters, and these subplots many instances earlier than.
There’s nothing new to shock us right here.
It bothers much more when the movie seems to be complacent in its sappy melodrama confinement.
It makes an attempt to intensify the emotional stakes for central drama in direction of the climax, however it’s too late by then.
The movie sparkles solely in sporadic moments because of the attract of its lead pair, however at massive, it stays a middling affair.
Ved Assessment Rediff Ranking:
