Sirf Ek Bandaa Kaafi Hai Review: Manoj Bajpayee is brillaint in this gripping courtroom drama – TOI Etimes
Sirf Ek Banda Kaafi Hai story: Impressed by real-life incidents, that is the story a Classes Courtroom lawyer in Jodhpur, who fights a five-year-long battle to convey justice to a minor woman sexually assaulted by a strong godman.
Sirf Ek Banda Kaafi Hai overview: When a revered self-styled godman is within the witness field for the sexual assault of a minor woman, you realize the courtroom drama will probably be greater than only a battle of wits. The proceedings will probably be fierce and livid, and props to director Apoorv Singh Karki for making certain that the gripping story retains you hooked all through. Large duty rests on the author to successfully pull off a movie that largely depends on dialogues (arguments on this case), which Deepak Kingrani aces in, whether or not contained in the courtroom or outdoors. The one one who holds all of it collectively firmly is Manoj Bajpayee, similar to the protagonist he portrays.
The movie is a biopic on a humble lawyer from Rajasthan, Advocate PC Solanki, who single-handedly introduced justice to the minor woman beneath the POCSO Act within the much-publicised self-styled godman’s sexual assault case. Whereas legal professionals in courtroom dramas are portrayed to be larger-than-life, Advocate PC Solanki (Manoj Bajpayee, ) is a straightforward man dwelling together with his mom and son in Jodhpur. He takes on his up to date defence lawyer (Vipin Sharma) with nice confidence, nevertheless it’s endearing to see him starstruck and nervous when he faces colossal names from the authorized world throughout the court docket proceedings. Sirf Ek Bandaa Kaafi Hai is a well-researched story the place the viewer will probably be crammed with admiration on the due diligence on the general public prosecutor Solanki’s half, particularly in proving that the survivor Nu (Adrija) is a minor and that the case should be tried beneath the POCSO Act it doesn’t matter what, or different authorized nitty-gritty.
The film, the place solely Advocate Solanki’s title stays unchanged, whereas different characters are given display names, handles the narrative with nice sensitivity, even within the scenes when the defence asks Nu pointed questions concerning the incident or how mindfully the police deal with the case. It doesn’t sensationalise the occasion whereas making certain it’s gripping. Arjun Kukreti’s cinematography enhances the tight route and writing. The chase scene within the bylanes of Jodhpur when goons assault Solanki is well-shot. Nu is being taken for a medical examination after the police grievance, and when she covers her face up together with her dupatta, your coronary heart goes out to her because it conveys the disgrace is making an attempt to cover. Or the scene when the case is received, and Nu stands by the window—her patly lit-up face appears to depict the hope and the scars collectively. Sangeet-Siddharth Roy’s background rating heightens the drama, however in lots of situations, it will get overbearing and takes the eye away from the dialogue.
Sirf Ek Bandaa Kaafi Hai boasts of excellent performances, whether or not Adrija or Jaihind Kumar and Durga Sharma as Nu’s hapless however supportive dad and mom, Vipin Sharma because the defence lawyer (he acts exceptionally effectively within the scene he’s grilling Nu and is ashamed to ask her concerning the crime intimately). However the star right here is undoubtedly Manoj Bajpayee. He reveals prowess, particularly in adapting his mannerisms whereas interacting with totally different stakeholders—Nu, her dad and mom, his mom, his son, the judges, the legal professionals he admires, and his assistant. From decided to scared, emotional, awestruck and outraged, he aces each nuance. He shines within the scene when he breaks down, his mom consoles him, and so they recite a poem collectively and his closing assertion. He is aware of he’s coping with a nation obsessive about faith. As an alternative of explaining why Baba deserves to be punished from a human or authorized standpoint, he makes use of a language they’d perceive. He quotes the instance of why Lord Shiva refused to forgive his biggest worshipper, Ravan. This was an excellent contact.
The movie should not be missed for the distinctive storytelling, drama, and dialogues however, above all, for Manoj Bajpayee’s extraordinary efficiency. You’ll cheer for him and Advocate PC Solanki.
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