“Hum Toh Mira Road Wale Hain, Kabhi Barcelona Nahi Gaye”
Actor Kunal Kemmu is popping a director with Madgaon Specific and his maiden enterprise is being produced by Farhan Akhtar and Ritesh Sidhwani’s Excel Leisure. Nevertheless, this didn’t tie up Kemmu’s opinions on his producers’ earlier movies Dil Chahta Hai and Zindagi Na Milegi Dobara. Curiously, whereas the previous was Farhan Akhtar’s debut movie, he acted within the latter which was directed by his sister Zoya Akhtar.
In a latest interview, Kemmu took brutal but hilarious digs at ZNMD’s non-relatable nature. He justified why the movie doesn’t converse of Indian youth generally and belongs to solely wealthy brats and never a mean Indian, a debate which has been going concerning the movie since its inception!
Whereas speaking on a podcast shared by a Youtube channel Chalchitra Talks Kumal Kemmu talked concerning the relatability concern in a movie like Zindagi Na Milegi Dobara. The actor-director mentioned, “Dil Chahta Hai aur ZNMD aspirational thi. Bahut achhi lagi thi, lekin relate hello nahi kar paye. Hum toh kabhi Barcelona gaye nahi. Ye toh bade ameer bachche hain. Inki toh coming-of-age Melbourne mein ho raha hai. Humey kya pata hum toh Mira Highway wale hain.” (Dil Chahta Hai and ZNMD had been aspirational. I cherished them however couldn’t relate to them. I by no means went to Barcelona, I assumed these are very wealthy brats. Their coming-of-age is in Melbourne. How will we relate? We by no means stepped out of Mira Highway!)
The actor additional took clever digs saying, “Hamari coming-of-age kahan hogi? Inka agenda hello kuch aur chal raha hai yar. Scuba diving karke inko realisation ho rahi hai, hum toh gaye hello nahi kabhi. Tomatino Competition mein mummy ko tamatar dikhaunga toh pagal ho jayegi ki ye tamatar itne waste kyun kar diye. Lakhon bhench*d kilo ke tamatar aise hello waste ho gaye.” (The place will now we have our coming-of-age second? Their agenda in life is one thing else. They’re realising about life whereas scuba diving. If my mom sees these tomatoes within the Tomatina competition, she can be livid, asking why these a lot tomatoes had been wasted!)
Nevertheless, Kunal Kemmu, tried to seek out purpose with Zindagi Na Milegi Doabra and mentioned, “Jokes aside, I understood the issues, however a lot of the stuff you’ll say ki inke paas to sabkuch hai yaar. Inko kis cheez ki (kami hai). To matlab ghoom bhi rahe hain SLK mein, open air, usme dukhi hain. To samajh aaya finish mein accha matlab paise se khushi nahi khareedi jaa sakti. Ye hai uska matlab.” (Jokes aside, I understood a lot of the issues, however nonetheless, one would say that these males have the whole lot. Why have they got a void? They’re driving in SLKs, open air and nonetheless sad about life. However ultimately, one can realise that cash doesn’t purchase happiness is what they had been making an attempt to painting. That is what they meant)
Even after a significant dialog, the Golmaal actor goes again to taking a closing dig on the movie and says, “Humko to scooba diving le jaayein to hum to ghar baithe chale jaayein. Usme Hrithik Roshan ko realise ho raha hai ki…achha…Humne Kaha yaar ye acchi baat hai lekin humko thoda apne wala bhi dekhna padega jisse thodi relatability ho. Ye zyada aspirational ho gaya.” (If somebody takes us to scooba diving, I’d be very happy to conform. However Hrithik Roshan is realising life there! Oh like that. I assumed that is good, however we have to discover issues for our relatability as properly. That is far more aspirational, principally out of 1’s attain!)
For the unversed, Zindagi Na Milegi Dobara was a narrative of three mates who determine to go on a visit, the place each decides on a spot and journey sport of their alternative. They’ve realisations about their lives throughout this journey as they discover methods to resolve their inner points. The movie starred Hrithik Roshan, Abhay Deol, and Farhan Akhtar as the chums, Katrina Kaif, and Kalki Coechlin because the supporting forged. It was directed by Zoya Akhtar and produced by Farhan Akhtar & Ritesh Sidhwani.
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