Ahimsa Review: Himsa for the Audience.. – Greatandhra
Film: Ahimsa
Score: 1/5
Banner: Anandi Arts Creations
Solid: Abhiram Daggubati, Gitika Tiwari, Sada, Rajat Bedi, Kamal Kamaraju, and others
Music: RP Patnaik
Background music: Anup Rubens
DOP: Sameer Reddy
Editor: Kotagiri
Music: Kalyan Nayak
Producer: Kiran
Story, screenplay and Directed by: Teja
Launch Date: June 02, 2023
Teja is a well-liked director, and the information of Rana’s brother Abhiram being launched below his course created fairly a buzz. Regardless of dealing with delays, “Ahimsa” managed to seize consideration.
Now, allow us to consider its strengths and weaknesses.
Story:
Raghu (Abhiram) and Ahalya (Geethika) grow to be engaged. Nonetheless, Ahalya is tragically raped by Dushyantha Rao’s (Rajat Bedi) influential son. Regardless of his traditional aversion to violence and unlawful strategies, Raghu takes up the battle for Ahalya’s justice.
Lakshmi (Sada), a lawyer, lends her assist to the case. As Raghu delves deeper into the pursuit of justice, he finds himself questioning his dedication to non-violent means.
Will he in the end resort to violence in his quest for justice?
Artistes’ Performances:
Abhiram Daggubati, the son of veteran producer D Suresh Babu and the youthful brother of Rana, marks his appearing debut on this movie. Nonetheless, he fails to seize our consideration attributable to his lack of excellent appears and appearing abilities.
Geethika, the newcomer, delivers a median efficiency. Then again, Sada excels in her function, showcasing spectacular appearing skills.
Sadly, the remainder of the solid resorts to loud appearing strategies.
Technical Excellence:
This movie ventures into new areas for its forest sequences, offering a refreshing expertise. The cinematography, helmed by Sameer Reddy, is actually glorious, showcasing his wealth of expertise in capturing beautiful visuals.
Nonetheless, the songs within the movie are a mishmash. RP Patnaik, making a comeback, has managed to supply some respectable numbers, with the tune “Neethoney Neethoney” standing out as one of the best amongst them. “Vudhile Vundhile” is satisfactory.
Then again, the enhancing leaves a lot to be desired, leading to a chaotic presentation. Moreover, the movie suffers from an in depth operating time.
Highlights:
Cinematography and areas
Courtroom episode
Downside:
Excessive sequences
Outdated narrative
Unending second half
Abhiram’s appearing and appears
Evaluation
Director Teja has launched many actors, together with the late Uday Kiran, Nithiin, Navdeep, Kajal Aggarwal, Sada, and Prince. He has a monitor document of introducing new faces in his movies. Nonetheless, the veteran director has struggled to create motion pictures that resonate with the present era. Other than ‘Nene Raju Nene Mantri,’ which starred Rana, all of his movies within the final decade have been unsuccessful.
After a brief break, Teja has chosen Abhiram Daggubati because the lead actor for his newest movie. Whereas this serves as a launch pad for Abhiram, it offers us the impression that Teja’s concepts are caught within the early 2000s, paying homage to his earlier movies.
Sure episodes within the film carry a “Jayam” vibe, whereas others really feel like recycled content material from his previous works.
Abhiram and Gayatri are pursued by three completely different teams, main them to flee into the forest and interact in steady operating. The movie appears to go on indefinitely. Unexpectedly, at precisely 2 hours and 20 minutes into the film, Director Teja consists of an merchandise tune simply as we begin making ready to depart, assuming the climax scene has concluded. He then extends the narration for an additional 20 minutes. This 2-hour and 42-minute movie turns into a take a look at of endurance for the viewers.
It is troublesome to find out which is extra torturous: Abhiram’s expressionless appearing or Teja’s outdated storytelling.
Abhiram’s philosophical perspective and appearing model grow to be a headache-inducing expertise. To endure till the tip of the film, one should possess immense endurance. Your complete second half, crammed with unending chases and fights, demonstrates the director’s lack of synchronization with the present tendencies in filmmaking.
Though some factors relating to violence and non-violence could seem cheap on paper, they arrive throughout as ridiculous within the movie. Sure scenes even reek of misogyny.
Total, “Ahimsa” inflicts himsa (hurt) upon the viewers. It’s a difficult and forgettable expertise, making it laborious to recall what we had witnessed by the tip of the film.
Backside line: Torture
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