Akhanda movie review highlights: Balakrishna and Pragya Jaiswal’s film is high on masala | Telugu Movie News
With quite a few movies’ releases pushed again because of the pandemic, the viewers has been trying ahead to an ideal popcorn entertainer, however is that this movie it? Briefly, form of.
Murali Krishna (Balakrishna) grows up in his village as a peacemaker, somebody who isn’t afraid to throw punches when wanted however will even reform factionists and unfold consciousness on the significance of dwelling in concord with nature and fellow human beings. Saranya (Pragya Jaiswal) is the Collector there and he or she would not simply carry a corrupt police officer to job, she additionally falls for Murali as their ideologies match. After odd flirtation and a few whistle-worthy duets, the movie will get into the thick of issues. Balakrishna’s intro as an aghora proper earlier than the interval units the tone for what’s to return.
As a result of with Akhanda, Boyapati weaves a fantasy of types. The movie begins out robust and stands out when it explores this monitor. Aghoras, babas and dire predictions aren’t new tropes however Boyapati manages to make all of it enjoyable. The place the movie meanders is when Varada Rajulu’s (Srikanth) mining monitor is explored. He will get a killer intro, nearly on par with Balakrishna’s however too many gamers are introduced into the fold with Gajendra Sahu, an evil man pretending to be a saint.
None-the-less the primary half of the movie, because of Boyapati’s mass moments, Thaman’s BGM and Balakrishna’s assertion dialogue supply offers ample scope for whistles within the theatre. Particularly if it is full of NBK’s followers who will scream Jai Balayya lengthy after the title music is completed. It stays to be seen if Boyapati tightens the strings and focuses on the story within the second half.
