Anju Modi Wiki, Age, Husband, Family, Biography & More – WikiBio – FilmyVoice

Anju Modi is an Indian costume designer and one of many founding members of the Vogue Design Council Of India (FDCI), who had designed costumes for films Bajirao Mastani and Ramleela.

Bodily Look

Top (approx.): 5′ 5″

Hair Color: Black

Eye Color: Black

Household

Husband & Kids

Anju Modi stated in an interview that “My Husband is not any extra, I began working solely after his demise.” Additionally, after a while of her marriage, she was separated from her wedding ceremony dwelling. Anju Modi is now settled in New Delhi, along with her kids. She has a son Ankur Modi, and a daughter-in-law, Priyanka Modi. Ankur Modi has performed agricultural engineering and acquired skilled beneath his mom. His spouse, Priyanka Modi, studied on the London College of Vogue and labored with a French firm for 2 to a few years. They began their designer label AMPM in 2002. They opened their first unique retailer at Crescent Mall, Delhi in 2007-2008. Now, they’ve 30 shops throughout India. Once they have been requested in regards to the struggles they confronted, Ankur stated,

 The principle problem within the journey was to return up from 5 shops to 30 shops.”

Priyanka Modi shared her views on working along with her mother-in-law. She stated,

In fact working with my mother-in-law was an possibility however I wished to begin one thing of my very own and in addition, she is a couturier and he or she is all the time into heavy dreamy clothes and I all the time wished to begin a label which speaks of simplicity.”

Son and Daughter-in-law of Anju Modi

Profession

Anju Modi began her profession within the early Nineteen Nineties. In an interview she stated,

I used to be separated from my wedding ceremony dwelling and needed to do earn. I didn’t know something other than my ardour for textiles.”

She began her textiles journey from her brother’s place in Bangalore. From Bangalore, she used to journey to the weaving and crafts markets of Tamil Nadu, Andhra Pradesh, and Kerala. She as soon as smiled and talked about,

From Madras, I’d take the seashore highway and head to Kerala in a taxi. It was a joyous highway journey. My ardour for textiles took me to Coimbatore and Salem in Tamil Nadu and interiors in Andhra Pradesh, the place I noticed Pochmpally ikats, Venkatagiri and Mangalagiri weaves, Kalahasti kalamkari, Gadwal and Narayanpet saris.”

An Perception to Anju Modi’s Assortment

With the beginning of her profession within the Nineteen Nineties, she first tried her fingers on the blended material. The material was made from actual silver thread. The material was crafted within the textiles of Varanasi. After witnessing the nice success of blended material in Varanasi, Anju began her new undertaking of particular tie and dye approach from Rajasthan known as Bandhani and labored on it from 1993 to 1995. This system contains geometrical prints and impartial colors, imparted to the standard textile. From 1995 to 1999, she explored extra crafts and textiles in Rajasthan. She taught native artisans, easy methods to apply their crafts in revolutionary methods. She additionally inspired the usage of the Kota Doria materials, Sanganeri block printing methods, and Bagru textile crafts. Then within the early 2000s, she confirmed her fashionable methods of weaving Chanderi. For this, she crafted a brand new vary of Wealthy Khadi via the event of a brand new slub-yarn approach. In 2016, she developed particular materials in Banaras, for Neelambar 2016 assortment. The material was a mix of conventional data with the contact of modernity. It options structural silhouettes with design particulars of spires and steeples. Her different craft Sunehri Kothi is a group impressed by Rajasthan, having stones gildings together with gold and silverwork. In 2018, she created a group, A Maiden’s Prayer, that showcased the mix of victorian magnificence and Anju’s signature conventional work. For the 2019 spring-summer assortment her work, Masakali, was impressed by the structure of the pink metropolis. Then comes her Parnika, all-white assortment, serene, sombre, and classy, metamorphosed by ethereal prints.

Anju Modi’s Neelambar assortment

Diya Mirza Slaying Sunehri Kothi Assortment of Anju Modi

Anju Modi’s Masakali assortment

Kangana Ranaut in Anju Modi’s Maiden Participant Assortment

Anju Modi’s Parnika assortment

Anju Modi on Designing for Sanjay Leela Bhansali

Anju Modi designed costumes for movies, “Goliyo ki Rasleela-Ramleela” and “Bajirao Mastani”, directed by Sanjay Leela Bhansali. When an interviewer requested Anju that how was it working with Mr Bhansali once more, she stated,

Mr. Bhansali is a delight to work with. He is aware of precisely what he desires and may be very particular about it, however on the similar time he permits you to experiment a bit. He’s very inventive and we mentioned the small print in depth, however after that he left it to me execute.”

She shared her expertise of designing costumes for his films and stated,

Designing for each the films was a beautiful expertise. Solely the director and the celebs have been similar, the story and the expertise have been very completely different. In “Ram Leela” the characters have been from a Gujarati village. In “Bajirao”, Ranveer’s character is that of a king from the Maratha area whereas Mastani (Deepika) is a Muslim daughter of a Hindu king.”

Whereas sharing her experiences from the movie RamLeela, she stated,

The group wished lehengas with quite a lot of ghera that wouldn’t look cumbersome at Deepika Padukone’s waist. I sourced a couple of 100-year-old lehengas, restored and used them. I additionally visited a cottage in Bhuj to study from the ladies easy methods to reduce a lehenga so as to add 50 metres flare with out making it seem cumbersome. We acquired gauze-like skinny muslin material woven after which labored on the design in order that the lehengas wouldn’t be heavy.”

In an interview, she revealed that she travelled and researched lots whereas designing costumes for the film, Bajirao Mastani. She additional added,

The characters are from the 18th-century royal heritage Maratha area. So, correspondingly, the costumes needed to mirror the tradition of these instances. Mastani has Persian roots. I researched lots when designing costumes for her. I visited many museums and browse up about Persia, its tradition, traditions and folks. From Rumi and Kahlil Gibran to structure, colors and motifs, all the pieces impressed the costumes.”

For Kashibai and Bajirao, she wished to discover the Maharashtrian tradition.

I’ve all performed the South, Benares, and Calcutta, however there was nothing on the Marathas. Their is a really completely different philosophy. It’s all about energy play. Their turbans and the navvari saris are all very aristocratic, not fragile. The pleasure of the spouse Kashibai is expressed via her clothes, the nath, the flower motifs within the hair, the tautness of the hips by way of the nine-yard sari. Though, Bajirao was seen carrying angrakhas, however the story additionally contains his private life, so what he wears to mattress issues me extra. We needed to think about how he’s at dwelling.”

Anju Modi says, Design has no Language

Anju Modi needed to journey lots in the hunt for designs and crafts of various states. She as soon as stated that language was not a barrier for me.

Design has no language. I simply needed to say kumkum color or present a mango leaf and they might inform me easy methods to arrive at these dyes. That interval helped me imbibe talent units and work tirelessly. Even now I can work via the night time.”

Would Like to Work on Movies Based mostly on Historical past

Anju Modi, after working with Sanjay Leela Bhansali in two movies, stated that I’d like to work on movies rooted in historical past.

Greater than the filmmaker, actor or film, it’s the characters that draw me in. Since my physique of labor, at the same time as a designer, has all the time been targeted on historic characters, rooted in our historical past or mythologies, I like working with a filmmaker taking over these sorts of topics. It’s most difficult, but extraordinarily gratifying. Working with Mr. Bhansali for ‘Bajirao Mastani’ was an exhilarating expertise, but in addition an all-consuming one. I immersed myself in the complete course of, and it translated superbly on the display screen. I’d like to recreate that once more with Mr. Bhansali when the appropriate undertaking and alternative arises.”

On completion of 25 years in Vogue Business

In 2015, Anju Modi accomplished 25 years within the vogue trade. When an interviewer requested, how she felt on completion of 25 years, she replied,

I totally loved the journey. There are all the time uphills and downhills nevertheless it’s a matter of taking it in your stride and checking what’s it that may hold you motivated to have the braveness to transcend any problem. And upon getting performed it, it offers you a way of satisfaction, content material and achievement that as an individual I’m studying and evolving. Compassion and keenness for artwork and tradition of our nation together with studying and music hold me going and empower me.”

Anju Modi Shops in India

Anju Modi owns 4 shops in PAN India.

1.  Anju Modi Design Studio ( Noida ), F-26, Sector-08, Noida-201301

2.  Anju Modi @ Artwork Livings ( Delhi ), B-66, Pocket B, Okhla, Industrial Space, New Delhi-110020

3.  Anju Modi Retailer, D – 32, Defence Colony, New Delhi

4.  Anju Modi, Plot No, 8-2-601/P15, M&S Heighs, Highway No 10, Banjara Hills, Hyderabad – 500034, The Panchavati Corporative Housing Society.

Controversies

The controversy began when the web was flooded with photos, exhibiting similarities between the designs of Anju Modi and Reynu Taandan. On a Monday, when Reynu offered her assortment on the digital India Couture Week, photos of two of her designs, an Anarkali and a sharara set with gold print and embroidery, created a buzz on on-line vogue portals. Many claimed that the designs appeared much like the designs of Anju Modi’s 2015 assortment. Anju observed the identical when one in every of her assistants despatched her a social media publish that had photos of her 2015 assortment, and Reynu’s design from the current assortment subsequent to one another, highlighting the similarity between the 2. On this Anju stated,

 It was simple. After I noticed the publish, I may recall that design was from my 2015 assortment titled ‘Kashish’ and the gold sample on the anarkali was utilized in lots of our designs again then. It was hurtful, as I feel that that is the time when each designer must be accountable and attempt to help each other. I used to be dissatisfied and I spoke to Reynu. She apologised, and advised her that it was an unintentional error. She stated that the 2 items will likely be faraway from her assortment and that she was unaware of the similarity.”

When Reynu got here to know that the complete social media is speaking in regards to the similarities within the designs, she herself known as Anju and stated,

I discovered that my printer has used this motif earlier and it was developed by my fellow designer Anju Modi. He provided it to us wrongfully, claiming that it was created for us. Although it was unintentional, I apologised to my pricey buddy Anju ji and he or she has been gracious sufficient to resolve this situation. I’m additionally eradicating the clothes from my assortment.”

(Left) Anju Modi’s design from her 2015 assortment (Proper) Reynu Taandan newest couture assortment

Awards

Received

• She was given PCJ Excellence Award and ELLE Type Award

• In 2014, Apsara Award for Greatest Costume Design for the movie Goliyo ki Rasleela-Ramleela

• In 2014, IBN Reside Film Award for Greatest Costume Design for the movie Goliyo ki Rasleela-Ramleela

• In 2014, Display screen Weekly Award for Greatest Costume Design for the movie Goliyo ki Rasleela-Ramleela

• In 2014, Excellence in Vogue’ Award by Indian Council for UN Relations

• In 2016, Filmfare Award for finest costume design for the movie Bajirao Mastani

Nominated

• In 2008, Marie Claire nominated her for ‘Greatest Craft Revival’

• In 2010, Marie Claire nominated her for ‘Greatest Indian Designer’

• In 2014, Filmfare award for finest costume design for the movie Goliyo ki Rasleela-Ramleela

• In 2016, Asian Movie Award for Greatest Greatest Costume Design for the movie Bajirao Mastani

Info/Trivia

• In an interview, Anju Modi stated that the usage of khadi must be promoted because it has a really stunning and comfy texture. She additionally asserted, “Swadeshi Bano”, “Swadeshi Peheno.”

• She as soon as stated, no matter conjures up me, get translated into my clothes.

•  Anju Modi, when requested about her ardour for textiles, she stated, “Textile, not simply vogue, it’s my Forte.”

• Anju Modi shared her philosophy of designing and stated,
  

   It’s my design philosophy to revive the outdated custom and current it to you in my very own means.”

• When Anju Modi was in Chennai for a present, she praised Chennai individuals by saying,
  

  I linked nicely with the viewers. I really feel that individuals in Chennai are usually not into exhibiting off however are sensible and clever, and know precisely what they need. They’re not pretentious and don’t like one thing excessive as a result of they put consolation first. I imagine everybody ought to look themselves as an alternative of letting their look scream from the rooftop, that is why I join with metropolis viewers very nicely.”

• She had visited nearly each state of the nation within the thirst of the standard outfits, which is obvious from her assertion,
  

  I don’t suppose I haven’t visited any state within the nation from Bhuj’s bandhani and Damadhka prints in Gujarat to Assam’s muga silks.”

• She all the time wished to create clothes of the forgotten traditions, with none worries of saleable issue.

• When Anju was engaged on the costumes of Sanjay Leela Bhansali’s Ramleela, she stated,
  

  Ghagras are in my DNA. I’m from Rajasthan and I perceive the consolation of a lehenga greater than a sari.”

• Sanjay Leela Bhansali approached Anju Modi for his movie Padmaavat, however she denied to work on the undertaking as she wished a break to chill out.

• In 2006, she was one of many designers, together with Rohit Bal Manish Aurora and Rajesh Pratap Singh, who was chosen for Heyers Vogue Pageant in Paris, organized by the Paris vogue week.

• She is a world designer, who provides her costumes for her NRI shoppers and the Worldwide market, in Jeddah, Kuwait, Bahrain, Dubai, London, California, San Francisco, Miami, Singapore and Hong Kong.

• In 2006, Anju was invited to current her assortment on the Miami Vogue Week.

• In 2009, she was requested by the Division of Tourism to point out her assortment throughout their worldwide occasion, India Calling on the Hollywood Bowl, in Los Angeles.

• In 2010, she was requested to current her assortment on the Handloom Week, an initiative by the Ministry of Textiles.

• Anju Modi, in an interview, stated that she adore Ranveer Singh lots.
  

   I like Ranveer. He’s a dynamic particular person with a unusual sense of fashion. He had lengthy hair in “Ram Leela” and in “Bajirao” he didn’t shrink back from getting his head tonsured. He carried off each the appears to be like with élan.”

• Anju Modi as soon as stated that designing costumes for Ram-Leela was a landmark in my profession.

• Each time she feels drained or bored, she used to do images. In an interview, she stated,
  

   I like images and nature. So every time I get time, I choose my digital camera up and go for a trek.”

• She as soon as advised that she love designing costumes for brides.

• When requested that why white color dominates her assortment, she stated,
  

  White is a optimistic color that signifies a tranquil temper and a peaceable way of thinking. White is my weak point and I felt it’s the finest color to specific an artist’s self.”

• She revealed in an interview that 99 per cent of the material utilized by her is solely handloom and within the number of Chanderi, silk and tussar minus the fanfare and glitter of different material choices. Even the shoelaces are comprised of rags that aren’t discarded by laborious artisans of our nation.

• She thought-about weavers and craftspeople her Gurus, and stated,
  

  I lived of their houses, awakened within the morning and learnt to place the kolam (muggu) and acquired aware of indigenous weaves, from Kanchi silks to Kodali Karuppur saris.”

• Her different huge undertaking is designing costumes for Chiranjeevi-starrer, Sye Raa Narasimha Reddy, a biopic on Uyyalawada Narasimha Reddy set within the 1840s. For this, she used Gadwal, khadi, and different textiles from Andhra Pradesh.

• For the festive season of 2021, Anju Modi tied up with BIBA to design a brand new Enchanted Forest assortment, which incorporates metallic and floral prints, high-end hand embroidery and meticulously performed zari work on positive materials comparable to silk, chanderi, velvet, and modal.

• When an interviewer, requested Anju in regards to the best-dressed individuals in India and Internationally, she replied,
  

  I feel Sonam Kapoor and Deepika Padukone in Bollywood, and Angelina Jolie in Hollywood are a number of the finest dressed celebrities. However I’d love to decorate Johnny Depp.