‘Ayali’ series review: An emotional, compelling story that takes on the patriarchy
We stay in a world the place even God, who is meant to be all-good and omnipotent, is utilized by Man to dictate his phrases and acquire energy. People who find themselves on the decrease rungs of the hierarchy — whether or not regarding caste, creed, faith, or gender — must abide by Man and religion performs a significant function in making certain that the oppressed keep in the dead of night in regards to the larger machine. It’s a story that may be very related, and in ZEE5’s net sequence Ayali, writer-director Muthu Kumar explores how such socio-religious elements oppress ladies via a novel story.
Ayali (Tamil)
Director: Muthu Kumar
Forged: Abi Nakshatra, Anumol, Singampuli, Lingaa
Episodes: 8
Runtime: 30 to 40 minutes every
Storyline: In 1990, a courageous younger ladies with huge goals and wishes decides to interrupt the oppressive guidelines set by the village folks for women who come of age
The eight-episode sequence begins with an animated sequence that tells the fable of how the village of Veerapannai got here to be. As per the legend, when a younger lady from the village of Pannaiyur eloped with a person from a neighbouring village, the folks had been subjected to the wrath of their deity, Ayali, resulting in your entire village relocating to a brand new place in Pudukottai district that later got here to be often called Veerapannai. Within the new village, they constructed a temple for Ayali and determined that from thereon, all women from the village must get married instantly after she attains puberty. Soar to 1990, and we see how this tradition is used to oppress ladies. The kaalachaaram and kattupaadu now state that women who attain puberty can neither enter the Ayali temple nor go to high school. Each religion and training are stripped away from them and they’re married away. Defending this sanctimonious follow, controlling their ladies, and making certain the purity of the caste are of utmost precedence to the lads of the village, who observe their native MLA (Singampuli) and his son (Lingaa, in a really promising function).
Thamizh (Abi Natchatra), a younger ninth-grader who questions the shortage of sense in these practices, is our protagonist. Thamizh wishes to turn out to be a physician, however worry grips her when she sees her classmates get married off one after the other, solely to undergo later. So when she attains puberty, she hatches a plan to maintain her goals alive — she hides it from actually everybody. A lot of the preliminary episodes revolve round how Thamizh goes forward together with her plan and turns into the one lady youngster within the village to enter a tenth-grade classroom.
Obstacles forward of her are aplenty. As an example, through the full moon pageant, the kids of the village are to enter the Ayali temple and supply their prayers. Nevertheless, because the age-old perception states, no lady who has attained puberty ought to enter the temple. In the event that they do, the deity would take their life inside the subsequent full moon day, or the village-folk would minimize off her hair and isolate her from the village. What would a 14-year-old lady hiding her interval stains from even her mom do in such an occasion? Each passing impediment solely turns into increasingly more harmful for Thamizh, and we participate in celebrating each her small and large wins. Notably, not many titles have questioned the customs which are nonetheless adopted when a woman comes of age, as a lot as this sequence.

A nonetheless from ‘Ayali’
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Ayali is constructed via its emotional beats, and there’s sufficient substance and thrill to maintain you engrossed. On the centre of all of the drama can also be a fantastic story a couple of daughter and a mom, and the way ladies are pressured to come back collectively when pushed to the acute. In a number of tear-jerking cases, the fixed lump in our throat tightens; like after we realise {that a} mere bus journey to a close-by city was a once-in-a-lifetime alternative for some, or when a father realises what real love is. Or when a subplot reveals two aged step-wives, who’re normally bickering at one another, sharing a pleasant second. Or within the story of Thamizh’s mates who’re pressured to get married.
Director Muthu makes use of the lengthy format to put in writing many such subplots with sufficient characters to intensify the central theme. Barring just a few poor comedy tracks aimed to supply some levity, all the things else works within the favour of the story. It’s additionally attention-grabbing how the nice and cozy color tones of the visuals not solely set up the interval of the story, in addition they complement the scorching emotional tone and in compounding the world that Ayali is ready in.
However the sequence wanted a novel screenplay and higher therapy. Even after we see what’s awaiting us at a sure juncture, we’re requested to attend a bit too lengthy for the pay-offs. Many characters, just like the one performed by Lingaa, find yourself coming off as under-developed regardless of displaying potential early on. The lukewarm ending, which ought to have been doubly impactful, is one other minus.
Nonetheless, telling a narrative like Ayali isn’t simple, and Muthu takes a robust stand towards each foolish patriarchal concept that is senseless and but is related even at the moment. He questions why the dignity of the caste and creed are hidden between the legs of the ladies; why ladies are outlined solely by their physique and their function in child-bearing; why all customs apply solely to ladies and why boys don’t get punished for his or her crimes. He additionally ensures that he doesn’t offend the real religion that the individuals have of their deities, as sustaining the stability there’s normally a slippery slope. The music by Revaa performs a robust supporting function, and performances, particularly by Abi Nakshatra and Anumol, are praiseworthy as properly.
Each time you see Thamizh or some other ladies within the sequence elevate their voices and query the idiocy of the lads, you think about a crowded viewers whistling their assist; that imagery solely makes you ponder over who the viewers of Ayali is. Is that this a narrative for individuals who have entry to streaming platforms and care sufficient to take a look at a title with not many recognized faces? Or is that this a narrative for the agricultural and concrete males with such regressive concepts and the ladies who’re oppressed by them? It definitely ought to be for the latter, however that doesn’t diminish the truth that Ayali is a mandatory, well timed story that must be instructed louder from time to time.
Ayali is at present streaming on ZEE5