Ayesha Raza Mishra Wiki, Age, Husband, Children, Family, Biography & More – FilmyVoice
Ayesha Raza Mishra is an Indian actress who is understood for predominately showing in varied Bollywood movies and Hindi net sequence.
Wiki/Biography
Ayesha Raza Mishra was born on Monday, 26 September 1977 (age 46 years; as of 2023) in Uttar Pradesh. Her zodiac signal is Libra. She did her education at Blue Mountain Excessive Faculty. When she was 10 years outdated, Ayesha participated in a faculty stage drama and performed the function of a mom regardless of being a scholar on the time.
Ayesha Raza (proper) enjoying the function of a mom when she was a toddler
Bodily Look
Peak (approx.): 5′ 6″
Hair Color: Black
Eye Color: Black
Household
Mother and father & Siblings
Ayesha’s father’s title is Asad Raza. He died in 2014.
Ayesha Raza Mishra’s father
Ayesha’s mom’s title is Salima Raza, who’s a veteran theatre artist.
Ayesha Raza Mishra along with her mom
Ayesha has two sisters; her sister Huma died when Ayesha was a toddler.
Ayesha Raza Mishra along with her sister, Huma
Ayesha Raza Mishra along with her sister
Husband & Kids
Ayesha obtained married to actor Kumud Mishra on 15 February 2008.
Ayesha Raza Mishra with Kumud Mishra on their wedding ceremony day
She has a son, Kabir.
Ayesha Raza Mishra along with her husband and son
Faith/Spiritual Views
Ayesha follows Islam.
Profession
Beginning her profession in theatre, ads, and tv, Ayesha gained fame for her roles as mom characters in quite a few movies and TV sequence.
Movie
Ayesha made her debut in Bollywood with the movie Raghu Romeo (2003) as a Information Reader.
Ayesha Raza Mishra (left) in a snip from the movie Raghu Romeo (2003)
In 2014, she made an look within the Hindi movie “Dhoom” within the function of a journalist. In 2007, she supplied the voice-over for the character of Maruti’s mom within the animated movie “Return of Hanuman.” Within the 2008 movie “Mumbai Meri Jaan,” she appeared as Sejal Agarwal. In 2010, she performed the function of Motwani’s spouse within the Hindi movie “Thanks Maa.” In 2012, she lent her voice to the character of Prabhavati within the animated movie “Krishna Aur Kans.” Her function as Indoo Mehra within the Hindi movie “Dil Dhadakne Do” in 2015 garnered her vital fame.
Ayesha Raza Mishra within the movie Dil Dhadakne Do
In 2015, she took on the function of Pansokha within the drama movie “Das Capital Gulamon Ki Rajdhani.” In 2016, she performed the function of Shyra’s mom within the Hindi movie “Befikre,” that includes Ranveer Singh and Vaani Kapoor. In the identical yr, she appeared in different Hindi movies together with “Blissful Bhag Jayegi” as Rifat Bi and “Madaari” as Goswami’s spouse. Within the Hindi movie “Bathroom: Ek Prem Katha” (2017), starring Akshay Kumar, she performed the function of Vidya.
Ayesha Raza Mishra within the movie Bathroom Ek Prem Katha (2017)
In the identical yr, she featured within the Hindi movies “Sonu Ke Titu Ki Sweety” as Manju Sharma and “Veere Di Marriage ceremony” as Rishabh’s mom.
Ayesha Raza Mishra within the movie Veere Di Marriage ceremony
In 2019, she featured within the Hindi movie “Pupil of the 12 months 2” as Archana Singh, “Bharat” as Jamuna Kumari, and “Chappad Phaad Ke” as Vaishali Gupchup. In 2022, she appeared within the anthology “Inform It Like a Girl,” the place she performed the function of Seema in seven brief tales. Within the Hindi movie “Sharmaji Namkeen” launched in 2022, she performed the function of Rupali Dhingra.
Ayesha Raza Mishra (left) within the movie Sharmaji Namkeen (2022)
In 2023, she appeared within the Hindi movie “Tu Jhoothi Foremost Makkaar,” taking over the function of Mrs. Malhotra.
Brief Movie
In 2012, she appeared within the brief movie “Ek Bahut Choti Si Love Story.” Within the brief movie “The Exile” (2015), she performed the function of Sudha Sharma. In 2015, she appeared within the brief movie Chimes. In 2017, she featured within the brief movie “Khaane Mein Kya Hai,” enjoying the function of a mom.
Ayesha Raza Mishra (left) within the brief movie Khaane Mein Kya Hai
In 2021, she performed the function of a mom within the brief movie titled “Ab-Regular.”
Tv
Ayesha made her debut on tv with the TV sequence Yudh (2014) as Nayantara Sikarwar.
Ayesha Raza Mishra within the TV sequence Yudh (2014)
Following her debut, she performed the function of Roli Sharma within the Prime Video TV sequence “Bang Baaja Baarat” in 2015. In 2016, she performed the function of Ila within the TVF net sequence “Everlasting Roommates.”
OTT
She made her debut on OTT within the movie Love per Sq. Foot (2018) as Poonam Tiwari.
Ayesha Raza Mishra within the Netflix movie Love per Sq. Foot (2018)
In 2018, she took on the function of Poonam Tiwari within the Netflix movie “Love per Sq. Foot.” Within the ZEE5 movie “Babbar ka Tabbar,” she performed the function of Mrs. Babbar. Within the 2019 Amazon Prime net sequence “Made in Heaven,” she performed the function of Renu Gupta. In 2020, she had roles in Netflix movies similar to “Gunjan Saxena: The Kargil Woman” as Kirti Saxena and “Ginny Weds Sunny” as Shobha Juneja.
Ayesha Raza Mishra within the movie Gunjan Saxena The Kargil Woman
Moreover, she appeared within the Disney Plus Hotstar movie “Laxmii,” and performed the function of Ratna Rajput. In 2021, she appeared as Babbo within the ALT Balaji net sequence “The Married Girl.” Within the ZEE5 net sequence “Sutliyan,” launched in 2022, she appeared as Supriya.
Poster of the net sequence Sutliyan
Scheduled for launch in 2023, she is ready to seem within the TV sequence “The Freelancer,” enjoying the character of Sabeena Khan.
Details/Trivia
- Ayesha follows a non-vegetarian eating regimen.
Ayesha Raza Mishra’s Instagram submit about her consuming habits
- In 2023, she earned a nomination for the OTT Ensemble Forged of the 12 months for her function within the Amazon Prime net sequence “Made in Heaven.”
- In 2023, after an absence of roughly 11-12 years, she made a comeback to theatre with the play “Baaghi Albele.”
Pamphlet of the play Baaghi Albele
- In an interview, she expressed a desire for theatre amongst all of the mediums, together with movies, tv, and OTT. In the course of the interview, she elaborated that she discovered performs to be a more practical medium for self-expression in comparison with movies.
- Throughout an interview, she mentioned her experiences of enjoying the function of a mom in movies and sequence. Within the interview, she stated,
I believe enjoying the character of a mom is rarely an issue for me.The issue is, in a lot of the tales, they’re simply supportive roles and never the lead, not author-backed.I’ve performed characters which can be small in size, sure folks can nonetheless recall them however not lead.Whereas it’s great to see OTT has created area for extra feminine lead tales, I really feel whether or not it’s a lead or principal character, each feminine needs to be represented in a story with dignity and never simply as furnishings, that also occurs.”
- In response to Ayesha, these days, it’s essential for actors to construct their presence not solely on the massive display but in addition on social media platforms. Throughout an interview, she additional stated that she confronted difficulties in staying constant on social media. She additionally confronted challenges in creating Instagram reels.
- Ayesha and her husband, Kumud Mishra’s love story are very well-known within the Bollywood trade. Kumud Mishra, in his late 30s, fell in love with Ayesha Raza and proposed to her when he turned 40. Their marriage was inter-faith, a choice initially opposed by Kumud’s household. Nonetheless, Kumud made lots of efforts to steer his mother and father. In an interview, he talked about how he persuaded his mother and father and stated,
Meri maa ko maine kaha toh meri maa ne saaf mana kardia. Pitaji ne thoda doubt dikhaya, aur toh maine kaha theek hai toh phir intezaar karte hai, Jab tak mujhe sahi ladki nahi miljati intazaar karenge hum. Toh mere hisaab se 2-3 ghante baad maa ne ha boldia.”
- Her grand aunts embody the famend Indian actress Zohra Sehgal and theatre persona Uzra Butt.
