Bhagavanth Kesari Review: Careful Bro.. – Greatandhra
Film: Bhagavanth Kesari
Score: 2.25/5
Banner: Shine Screens
Forged: Nandamuri Balakrishna, Kajal Aggarwal, Sreeleela, Arjun Rampal, Priyanka Jawalkar, R Sarathkumar, John Vijay, and others
Music: S Thaman
DOP: C Ram Prasad
Editor: Tammiraju
Manufacturing Designer: Rajeevan
Producers: Sahu Garapati, Harish Peddi
Written and Directed by: Anil Ravipudi
Launch Date: Oct 19, 2023
Nandamuri Balakrishna’s movies turned extraordinarily fashionable after he scored hits with “Akhanda” and “Veera Simha Reddy.” “F2” director Anil Ravipudi is thought for making entertaining movies. They labored collectively for the primary time and tried to make a distinct movie. The trailer appeared promising. Sreeleela, who performed Balayya’s daughter, added to the movie’s reputation.
Let’s have a look at if this delivers on its promise.
Story:
Nelakonda Bhagavanth Kesari (Nandamuri Balakrishna), a prisoner in Warangal, befriends the jailor (Sarath Kumar). When the jailor is concerned in a automobile accident, Kesari guarantees to make his daughter Vijji a military officer and handle her from then on.
Kesari and Vijji (Sreeleela) create a father-daughter bond.
Whereas Vijji avoids becoming a member of the military owing to a phobia, Kesari is strict together with her and tries to encourage her to get into military.
In the meantime, a deputy CM’s secretary who’s on the run from a enterprise mafia boss Rahul Sanghvi (Arjun Rampal) encounters Vijji at a café and saves a file on her laptop computer. Rahul Sanghvi’s males at the moment are on the path of Vijji.
How can Kesari defend her from Rahul Sanghvi, and what’s Sanghvi’s historical past with him?
Artistes’ Performances:
Nandamuri Balakrishna, sporting a salt and pepper look, has performed a personality with two shades – adavi bidda Nelakonda Bhagavanth Kesari and a shock position. Nonetheless, he’s more practical as Sreleela’s chiccha and the Adavi Bidda.
His Telangana dialogue supply and dynamic aptitude set him aside from his earlier works. His emotional scenes with Sreeleela are efficient as properly.
This can be a good position for Sreeleela, a change from her extra mass-oriented roles. The position not solely has given alternative to her to showcase her performing talents, nevertheless it additionally offers a scope for her to do some motion stunts. She has carried out admirably in her capability.
Kajal Aggarwal is okay. Arjun Rampal, who performs Rahul Sanghvi, has imposing persona, however his position is poorly written, and he finally ends up enjoying a cardboard villain.
Muralidhar Goud and VTV Ganesh, amongst others, make an impression.
Technical Excellence:
The cinematography is great. Ram Prasad’s frames and sumptuous manufacturing design have contributed to the movie’s wealthy look. Whereas sure motion feats are efficient, there are simply too a lot of them. The fights had been tedious after some time.
Thaman’s music is okay. There is not a lot room for songs, however the background rating is slightly standard, with a excessive decibel stage. Among the dialogues are wonderful. Nonetheless, the enhancing lacks sharpness.
Highlights:
The message about lady little one
Nandamuri Balakrishna
Some dialogues
Disadvantage:
Uninteresting first half
Inconsistent narration
Too a lot of fights with no logic
Mix of two completely different tracks of the story
Evaluation
“Bhagavanth Kesari” shouldn’t be Anil Ravipudi’s typical sort of movie. There isn’t a comedy, no duets, and no over-the-top moments. This isn’t one in all Nandamuri Balakrishna’s regular mass masala movies. Ravipudi tried to enter Balakrishna’s zone by presenting the movie as an motion drama sans comedy, and with a contact of sentiment. Balakrishna, however, has sought to do one thing distinct in his zone, the primary being the Telangana dialogues and the elimination of duets. These are the most effective elements of this film. We should always respect their try to return out of their zone.
However like a fish out of the water, Anil Ravipudi has struggled in narrating this motion drama. He lacks the power to adequately inform an motion movie. For this reason the entire first half of the movie, by which he tries to ascertain the important concept of the plot, fails to have interaction us.
Whereas he takes his time explaining how Balakrishna turned a father determine to Sreeleela’s character, the succeeding sequences are ineffective. The whole Balakrishna and Kajal episode is devoid of leisure.
There’s a main twist – a flashback to Bagavanth Kesari’s life within the Adilabad forest – and it is usually revealed that the primary villain Rahul Sanghvi (Arjun Rampal) was current. This is without doubt one of the stronger episodes within the first half. Nonetheless, the villain’s common characterisation and his arc within the second half are weak.
Whereas Anil Ravipudi has a really sturdy message to convey – making girls stronger and turning our daughters into tigresses, this message and the primary thread – the combat with the villain doesn’t merge properly. It seems to be compelled.
Sreeleela realizes Bhagavanth Kesari’s sacrifice for her solely on the finish of the story. It seems to be a bit add. Nonetheless, the movie’s last hour is much better than the previous sequences. The parts involving Sreeleela’s military coaching expertise in a Hydrabad middle, in addition to Balayya discussing good contact/dangerous contact, generate sturdy feelings.
The movie suffers from uneven narrative and illogical conditions, which remind us of Boyapati’s movies. The CM, in addition to ministers, talk about and deal in corporates devoid of logic and much from actuality.
General, regardless of having a superb message to specific, “Bhagavanth Kesari” suffers from extreme fights and motion parts, gradual narration, and inconsistencies. It is not totally participating, nevertheless it’s additionally not wholly boring. Balakrishna enjoying a task that corresponds to his precise age is considerable.
Backside line: Chi-Cha
Adblock take a look at (Why?)
