Dhootha Web Series Review – Well-Made Series That Keeps You Engaged Till The End

Posted on December 1, 2023

BOTTOM LINE: Properly-Made Sequence That Retains You Engaged Until The Finish

Pores and skin N Swear

Loads of Blood & Gore; Liberal Use of Expletives

What Is the Story About?

Prime Video India’s first full kind Telugu sequence ‘Dhootha’ centres on formidable journalist Sagar (Naga Chaitanya Akkineni), who realises that folks near him are dying grotesque deaths, all of that are predicted by newspaper clippings he finds round him. Onerous-nosed cop Kranthi (Parvathy Thiruvothu) begins investigating the deaths, even because the physique rely rises and issues get extra grim and grisly. Will Sagar be capable to cease the killings as soon as and for all?

Dhootha is written and directed by Vikram Ok Kumar, and produced by Northstar Leisure.

Performances?

Naga Chaitanya Akkineni is superb because the high-flying journalist Sagar. He fits the position to the T, and delivers a convincing, persuasive efficiency. Parvathy Thiruvothu is excellent because the perceptive, relentless cop, Kranthi Shenoy. Her efficiency is poised and polished as ever.

Prachi Desai is environment friendly and interesting as Sagar’s PA Amrutha. Priya Bhavani Shankar is satisfactory as Sagar’s spouse Priya. The supporting solid, comprising Pashupathy, Tharun Bhascker, Rohini, amongst others, lend sufficient help.

Evaluation

Dhootha is a well-made sequence that grabs consideration from the get-go, and retains you glued to the sting of your seat until the very finish. Although the elemental premise of the sequence is a predictable one, the writing and remedy given to the story lend novelty to a premise that isn’t new nor modern, however hooks you with its thriller and suspense.

Vikram Ok Kumar has infused the sequence with a haunting high quality that’s arduous to outline however riveting to observe. The narrative flows fantastically, with thriller, suspense, murders, twists and turns peppered all through the runtime. Pink herrings within the type of a few characters by no means allow you to guess the suspense till the writers themselves resolve to disclose it.

The excellent aspect of the storytelling is the way in which the deaths have been picturised. They’re grotesque, sure; however in a method that you would be able to’t take your eyes off them. Credit score goes to manufacturing designer Rajeevan and motion choreographer Venkat for that. Additionally, it’s the creativity of the writing that lends enigma to every incident with the supernatural.

The central themes of corruption in journalism and the rot in media are depicted properly, with out resorting to preachy jingoism or boring chest-beating. Naga Chaitanya’s Sagar is launched to viewers as a distinctly disagreeable and unlikeable character. Nevertheless, his character arc develops fantastically because the sequence progresses.

Most importantly, Dhootha boasts top-notch manufacturing values. The manufacturing design is attractive, the background rating terrific, and the camerawork is excellent. The creators have spent moolah on the making of the sequence, and it exhibits.

In fact, not all the pieces is ideal in Dhootha. The runtime is method too lengthy, and sometimes will get fairly repetitive. The story may have been informed in half the time, had the makers so determined. Just a few subplots really feel contrived and pointless. The tempo of the storytelling, although brisk general, drops in segments that appear stretched. The ultimate episode is a bit over-the-top and dramatic in an unrealistic method.

To sum it up, Dhootha proves to be a wonderful net sequence debut for Naga Chaitanya Akkineni. It’s gripping, suspenseful, fast-paced, and retains you invested within the story until the very finish. The supernatural premise could also be finished to dying actually, however the absorbing story and its remedy lure you into overlooking that one flaw.

Music and Different Departments?

Ishaan Chhabra’s background rating for Dhootha is good. It hits the suitable notes between haunting, thrilling and electrifying. Mikolaj Sygula’s camerawork is attractive. Typically, you’ve a tough time believing that the present has been shot in India. Navin Nooli’s modifying is the one weak aspect within the in any other case excessive manufacturing values – tighter modifying would have elevated the story a number of notches.