FIR review: Vishnu Vishal’s film is a taut thriller with smart twists
It’s hardly ever do you see films being made in Tamil cinema with a Muslim protagonist. Debut filmmaker Manu Anand’s largely engrossing thriller FIR delves deep in the way in which we understand individuals primarily based on their ethnicity. What’s immediately likeable concerning the movie is that it doesn’t attempt to preach why it’s improper to guage individuals primarily based on their faith. As an alternative, it makes us empathise with the anguish of the movie’s lead character who’s a proud Indian.
Vishnu Vishal performs Irfan Ahmed, a chemical engineer from IIT Madras, who works in a small agency however has massive desires. For fairly a while, he has been attending interviews to land a dream job. The one query which haunts him in every single place he goes is – Are you spiritual? Irfan stays along with his mom who works with the police. He has a detailed set of mates, a girlfriend, who lives in one other metropolis.
As we observe the lifetime of Irfan Ahmed, we’re additionally launched to a parallel story of an investigative company being looking out for a dreaded terrorist named Abubakar Abdullah, who is seemingly planning an enormous terror assault. Gautham Menon heads the company and he’s carefully working with a crew to nab Abubakar Abdullah earlier than he may wreak havoc. When Irfan by chance will get caught within the mission to seize Abdullah, his life tuns the wrong way up.
FIR, coming from a primary time writer-director, packs a strong punch. Not solely it manages to maintain the screenplay racy, but it surely additionally stays constantly gripping, even with over a dozen key characters. Not like most Tamil movies, FIR just isn’t hero-centric and that’s what makes it refreshingly totally different. It’s a kind of movies through which each character performs a significant half and holds the movie collectively. Manu Anand’s understanding of how investigative companies work in India may be very spectacular. The terrorism angle as a backdrop is one other key facet of the movie which is seldom explored in Tamil cinema. To do it with finesse and with out going overboard within the remedy makes FIR one of many higher business movies on this house.
Vishnu Vishal continues to again and choose movies that push him out of his consolation zone. After scoring an enormous hit with the psycho killer thriller Ratsasan (now being remade in Hindi with Akshay Kumar as Mission Cinderella), he pushes boundaries each as an actor and producer with FIR. The movie affords him ample scope to flex his appearing chops. As somebody determined to show his loyalty in the direction of his nation and his innocence, the actor delivers a really honest efficiency.
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One of many highlights of the film is its feminine characters and the way they’ve been used successfully. Raiza Wilson, Reba Monica John and Manjima Mohan have strong elements to play with every one in every of them getting no less than one scene the place they depart their mark. Raiza’s portrayal of a Muslim intelligence agent is especially fascinating. Filmmaker Gautham Menon, whose current good stint as an actor, continues with FIR, through which he performs the chief of the intelligence company – a personality that matches him like a glove. Composer Aswath helps in elevating the stress of the story along with his pulsating background rating.
FIR has some sensible, well-written twists for a thriller. Because the twists untangle themselves in the long run, the movie feels extra full.
Movie: FIR
Director: Manu Anand
Solid: Vishnu Vishal, Manjima Mohan, Reba Monica John, Raiza Wilson and Gautham Vasudev Menon
ott:10
