Huesera: The Bone Woman review – bone breaking Mexican horror of post-partum depression – The Guardian
Tlisted below are some nasty scares on this chiller from Mexican film-maker Michelle Garza Cervera who’s making her characteristic debut: a horror movie that doubles as a parable of post-partum melancholy, one thing with the creeping nervousness of Polanski’s Repulsion or Rosemary’s Child.
Valeria (Natalia Solián) is a younger lady who’s longing to have a child together with her supportive associate Raúl (Alfonso Dosal) and when Valeria will get pregnant, she couldn’t be happier, or so she thinks. Her sister – married, with kids through which Valeria has by no means taken a lot curiosity – is brazenly contemptuous of her conversion to the motherhood perfect, and her dad and mom are themselves politely sceptical. An opportunity which means brings Valeria into contact with an outdated lover, Octavia (Mayra Batalla), and Valeria is plagued with reminiscences of the thrilling, bohemian life she deserted for the hetero-normal life-style; on the identical time she experiences disturbing glimpses of strangers whose our bodies jerk, convulse and click on with a bone-breaking sound.
To her household’s baffled dismay, Valeria turns into neurotically hooked on cracking her knuckles because the date of supply approaches. Her entire being, her entire sense of herself, is cracking up, and she or he is warned that childbirth itself will really feel like each bone in her physique is breaking. Tellingly, the one individual in whom Valeria can confide is her aunt: a homosexual lady. However when the infant is born, instead of the catharsis she may need hoped for, one thing horrible occurs.
Maybe this film is a little bit anticlimactic, however there may be usually an environment of actual worry, particularly when Natalia is pushed to the sting by her new child’s incessant crying: a horrible second which isn’t supernatural within the slightest.
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