Irugapatru Review: Vikram Prabhu Film Is Rom-Com On Marriage Mending – Times Now

About Irugapatru​

Irugupatru, a dishy good trying easily executed rom-com on marriage-mending, has its personal concepts on the best way to make a wedding work. A few of it’s purely balderdash. However that glowing winking tongue-in-cheek spirit that separates the gems from the bores prevails, and in the end we now have a movie that is aware of the best way to get its mojo again even when a few of the characters don’t.

Author-director Yuvaraj Dhayalan needs to provide the proceedings a easy glamorous look. Even when the quick-heal marriage mending looks like an entire lot of mind-bending the gloss by no means dims. Watching these three marriages come aside on the seams jogged my memory of Basu Bhattacharya’s marital dramas within the Nineteen Seventies, however much more glamorized and spruced up.

One of many plots about an chubby girl Pavithra (Abarnathi) who’s tirelessly taunted by her husband Rangesh (Vidhaarth, good) has distant echoes of Basu Bhattacharya’s Grihapravesh. When Pavithra’s home assist (Pasi Sathya) rebukes her for not taking care of herself to maintain her husband sexually attracted, I used to be reminded of Sharmila Tagore in Grihapravesh.

After all, director Dhayalan’s references are much more up to date. In a single subplot a younger couple Arjun(Sri) and Divya(Saniya Iyappan) discover their marriage rocked by the husband’s inferiority complicated vis-à-vis his extra clever spouse which toxicates into malevolent rebukes.

To his credit score, the director by no means permits clouds of despondency to darken his narrative’s horizon. We all know in addition to the screenwriter, that these marriages will work themselves out to an answer. In Indian movies about marital discord, the boys are at all times fallacious. As soon as they settle for their ‘errors’ the problematic factors are erased. In Nitesh Tiwari’s Bawaal all Varun Dhawan needed to do was to just accept he was an fool. The wedding was mended.

This brings me to probably the most problematic plot among the many three marriages that the movie portrays. Marriage counsellor Mithra (performed by the fantastic Shraddha Sinath) finds her marriage to Mano (Vikram Prabhu, lacks display presence) in uneven waters after he discovers that she has been consulting a wedding app.

Right here is the place this movie misplaced me. Why ought to the spouse’s efforts to make her marriage easy by consulting an extraneous self-help supply, be an issue? Don’t cooks seek the advice of recipe books?

If this episode works it’s due to Shraddha Sinath and despite her lackluster co-star.

For all its faults, slackening of tempo is rarely an issue in Irugapetru. The dialogues have a sure lived-in urbane spark and the characters are unfailingly relatable even when their behaviour is illogical. My favorite character is the one performed by veteran Manobala as Arjun’s newspaper editor who confesses he by no means calls his spouse by her identify and prefers to deal with her with unflattering phrases of endearment.

There lies the key system to a profitable marriage: Know your partner’s threshold of tolerance. This movie by no means crosses that threshold vis a vis its viewers even when the narration dips.

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