Kannai Nambathey movie review: Udhayanidhi’s latest is a contrived mess – The Indian Express
Kannai Nambathey is a kind of movies which depend on churning out one plot twist after one other on the expense of turning into foolish and contrived. To name director Mu Maran’s screenplay a multitude is an understatement. He comes up with a personality for each brick wall and so they don’t serve any objective aside from that. Take as an example a personality who retains stalking the lead actors who’re making an attempt to cowl up a homicide. He follows them and retains taking photos all via the movie, however he doesn’t get a correct closure.
The aim of the character is simply to take these photos for somebody to blackmail the hero as a result of the director needs to take care of some silly suspense. This movie teems with such misdirections. Our administrators have to be informed that holding again all the data and revealing it in the long run as one large shock will not be the that means of suspense, it’s simply lazy writing. This has been the case since Karthik Subbaraj’s Pizza, from the place Kannai Nambathey derives plenty of its inspirations — even a track is a whole rip off of Santhosh Narayanan’s “Engo Odugindrai”.
Right here goes an try at unraveling the mess of a narrative: Arun (Udhayanidhi Stalin) is desperately searching for a home as a result of his home proprietor has discovered that his tenant is in love together with his solely daughter and needs him out of the home in a day. So, Udhay settles for sharing a home with Ilamaran (Prassana), who can be vacating the place quickly. Arun, Ilamaran, and Arun’s pal (Sathish) rapidly find yourself turning into buddies. All of them go away collectively to have a drink at a bar, and Arun steps out to take a name. That’s when he witnesses an accident, the place a girl crashes her automotive right into a roadblock and is unable to drive. Arun agrees to drop her again residence, a mistake that results in him getting trapped in a maze of issues.
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It’s a kind of typical settings for a thriller, however Mu Maran retains including some random backstories, which all get unraveled in a single monologue on the finish of the movie. The one good factor that got here out of the film is that it was unintentionally humorous in lots of cases. Aside from that, there may be nothing to relish in Kannai Nambathey, which brims with puerile concepts that had been as soon as seen within the works of beginner brief filmmakers on YouTube. Even they wouldn’t resort to among the concepts on this movie.
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