Kho Gaye Hum Kahan movie review: Siddhant Chaturvedi, Ananya Panday, Adarsh Gourav film is for Insta generation, by Insta generation – The Indian Express
Someplace on this movie crops up a sentence which is supposed to be profound; ‘it’s the digital age, lagta hai linked hain par shaayad itne akele kabhi nahin thay’ (it’s the digital age, we really feel linked however we’ve by no means been so alone earlier than). It’s spoken with an earnestness which tells you that the author and speaker consider that they’re saying it for the primary time. Or even when they’re repeating it, it should hit proper with it’s PLU audience. And don’t be fooled by the broad-based social media schtick: it is a movie for the Insta era by the Insta era.
‘Kho Gaye Hum Kahaan’ is an expanded model of this assertion of function, that includes spiffy younger actors who’re an ideal match for this world: stand-up comedian Imaad Ali (Siddhant Chaturvedi), good market planner Ahana Singh (Ananya Panday) and her commitment-phobic boyfriend (Rohan Gurbaxani), health club rat Neil Pereira (Adarsh Gourav), and his influencer girlfriend (Anya Singh) with 1,000,000 and rising head rely.
Mumbai-based besties Imaad-Ahana-Neil, who’ve been thick-as-thieves since faculty, at the moment are within the means of adulting. The primary two are flatmates, zooming out and in of one another’s rooms, swapping notes about failed dates, the type of shut but platonic buddies that may be a rising city section. The motherless, wounded Imaad is a Tinder addict (sure, that is an precise line within the movie) ricocheting between his therapist, his guilt-ridden father, and a sexy older lady (Kalki Koechlin). Ahana is so determined for her boy-friend’s consideration that her vanity is in peril, however she doesn’t care: why gained’t he be solely together with her? Neil, who lives together with his mother and father, is figuring learn how to get out of his middle-class-life rut: will a ‘exercise selfie’ with Malaika Arora (in a scene as herself) develop his ‘follower rely’, and can that magically make him leap out into the stratosphere?
That is an ensemble which is agreeable to the attention, working the carefully-casually ruffled feel and appear of the younger which speaks in a mixture of barely stagey English and Hindi: who says ‘primary theek nahin hoon’? A little bit of meta-ness hovers within the exchanges of Chaturvedi and Panday, who appears like she could but flip into an actual actor: at a roundtable IRL, he had spoken in regards to the privileges she, and her ilk, have in Bollywood. Now right here they’re, sharing the display, and the ‘n’ phrase feels prefer it’s been shoved out of the window, not less than for this film. Gourav is as efficient as he at all times is.
Even in its identify, the movie is mainly an replace of the Farhan-Zoya universe, who’ve been giving us confused youth studying to be grown-ups (Dil Chahta Hai, and Zindagi Na Milegi Dobara). However these earlier youngsters lived in an period the place their cellphones didn’t come connected to their palms, and managed to have conversations with out having to rely upon digital crutches. These youngsters use their telephones as their friends-enemies-bed-warmers, searching for validation and connection, minute by minute: it’s nearly like you possibly can see this movie on a telephone.
The writing is determinedly inoffensive. The jokes are delicate. You’ll be able to scroll via the movie, stopping off at moments which attempt for depth (one during which a so-called good friend turns right into a boorish troll, revealing his classist ugliness, is properly accomplished, so is one other during which a person does one thing terrible to a girl for ‘closure’ ) however these are simply ‘tales’. The remaining seems like a number of reels, shoehorned into one tract: there’s pleasure, sure, however momentary.
Kho Gaye Hum Kahan film ranking: 2.5
Kho Gaye Hum Kahan film director: Arjun Varain Singh
Kho Gaye Hum Kahan film solid: Siddhant Chaturvedi, Ananya Panday, Adarsh Gourav, Kalki Koechlin, Anya Singh, Rohan Gurbaxani
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