Kho Gaye Hum Kahan Review: A Smart and Self-Satisfied Swipe at the Social Media Generation – FILM COMPANION
The movie revolves round three mates and the inextricable impression of social media on their lives. Imaad (Siddhant Chaturvedi), Ahana (Ananya Panday) and Neil (Adarsh Gourav) are the inseparable childhood buddies that make Mumbai look cool. The keypad bond is powerful. Imaad, a slapstick comedian hooked on Tinder flings, is flatmates with Ahana, a company stooge who seems for social media validation after a painful break-up. Neil is a fitness center teacher who goals of superstar endorsements, whereas kind-of-dating an Instagram influencer named Lala (whose persona appears to be an ode to Nikki Walia from Luck By Likelihood).
Manufacturing Friction and Avoiding Tropes
Battle rears its whitened fangs when a fall-out occurs over Imaad’s provocative new comedian set, which takes a swipe at Neil’s lovelife. Among the punchlines are admittedly humorous: “His girlfriend doesn’t scream in mattress, she offers a shout-out. He doesn’t discover her G-spot, he presses the bell icon.” However male egos are bruised and uncooked nerves are cooked. The person-trum is co-writer Zoya Akhtar’s signature dish: The one here’s a descendant of the spats in Luck By Likelihood (2009), Zindagi Na Milegi Dobara (2011) and Gully Boy (2019) – the place pent-up envy comes cloaked as unkind phrases. Ahana tries to play peacemaker, not as a result of she’s that diplomatic good friend, however as a result of the three have just lately joined forces to launch Neil’s fitness center enterprise. She’s put in her papers to deal with it, so there’s no turning again. Imaad’s funding within the firm (which brings to thoughts a sub-plot of Made In Heaven) lingers over their home discord.
There’s quite a bit to understand in Kho Gaye Hum Kahan. It’s a uncommon Indian movie whose studying of social media goes past the obligatory video-goes-viral-nation-falls machine. It understands the language of digital expression — the position that telephones play not simply in on a regular basis life, but in addition in the best way we predict and want. Everyone seems to be directly related and never related, invisible and seen, remoted and fashionable. Ahana’s observe, particularly, is alarmingly correct. As soon as her boyfriend dumps her, Ahana floats down the wormhole of on-line stalking and revenge-bod posturing. She suspects that he’s with another person, however as a substitute of resorting to real-world drama, Ahana manufactures a sexy-carefree persona on her social media to get his consideration. When he does crawl again, his actions are decided by her digital efficiency somewhat than her precise emotions. He thinks she’s moved on, whereas this was her technique of ‘profitable him again’ — a chasm addressed in a scene the place Ahana’s disgrace reveals the tragedy of cyber flexing. It’s a well-observed snapshot of latest attachment.
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