‘Lal Salaam’ Review: Rajinikanth rips apart religious politics in an uneven film
With ‘Lal Salaam’, Aishwarya Rajinikanth makes a comeback as a filmmaker after virtually eight years. And selecting a robust title for her comeback, together with much-needed social media presence, required guts. ‘Lal Salaam’ is a social commentary on spiritual politics, that sort-of displays actuality. Has she succeeded in successfully conveying the message? Let’s discover out!
Thirunavukarasu, also called Thiru (Vishnu Vishal), and Shamsuddin (Vikranth) are sensible cricket gamers from Murrabad, a village the place Hindus and Muslims coexist harmoniously. Regardless of their spiritual variations, they stay fortunately. Thiru’s father (Livingston) and Shamsuddin’s father, Moideen Bhai (Rajinikanth), good mates, are accustomed to seeing their sons have interaction in bodily confrontations.
Parallelly, we see native politicians planning to incite communal riots in Murrabad to capitalise on the upcoming elections. They exploit Thiru and Shamsuddin’s rivalry underneath the guise of a cricket match. In a match of rage, Thiru injures Shamsuddin’s proper hand throughout a match, sparking a critical battle between the Muslims and Hindus in Murrabad. How the communal rivalry involves an finish kinds the story.
It is a recognized incontrovertible fact that ‘Lal Salaam’ is an emotionally charged movie that delves into Hindu-Muslim tensions. Utilizing cricket and politics – two influential spheres – because the backdrop supplies the movie with an enormous canvas to painting its narrative. Nevertheless, the place ‘Lal Salaam’ falls quick is in its lack of inventiveness or dedication to advancing the story with out counting on clichés
Here is the trailer:
‘Lal Salaam’ options a number of poignant moments that strike the precise chords. Whether or not it is the portrayal of soiled spiritual politics or the transformation of Vishnu Vishal and Vikranth’s characters, the movie reveals flashes of brilliance. The Senthil episode, the place he yearns for his household’s presence in outdated age, stands out as essentially the most touching sequence in ‘Lal Salaam’.
Having Rajinikanth within the forefront to convey an essential message wants particular point out because it nsures a wider viewers attain. Nevertheless, as a filmmaker, Aishwarya Rajinikanth may have injected some contemporary concepts into the script. ‘Lal Salaam’ turns into predictable from the phrase go, counting on performances to maintain viewers engaged. You count on Rajinikanth’s entry, you get it. You count on a montage at a vital level and also you get it. Even cricketing legend Kapil Dev’s cameo fails to gentle up your eyes.
A lot earlier than the movie’s launch, the makers introduced that Rajinikanth was taking part in an prolonged cameo in ‘Lal Salaam’. However, it’s not only a cameo function. The truth is, he acts as a catalyst who pushes the story ahead each time it will get caught within the cobweb for very long time. As Moideen Bhai, he’s simply easy. There’s fashion, there’s charisma, there’s social message and there’s his cute antics.
Vishnu Vishal, however, performs the lead function, and you purchase into the hot-headed cricket participant that he’s. Vikranth, as Shamsuddin, is kind of efficient as a performer. The supporting acts by Thambi Ramaiah, Senthil and Vivek Prasanna add drama to the movie. Nevertheless, Jeevitha oversells her efficiency.
AR Rahman’s music act as an ideal addition to the movie. And Vishnu Rangasamy’s cinematography captures the dry panorama of Murrabad brilliantly.
‘Lal Salaam’, as a movie, has noble intentions. Whereas the primary half of the movie is uneven because of pressured staging, the messaging comes collectively within the second half, leaving viewers with a satisfying aftertaste.
2.5 out of 5 stars for ‘Lal Salaam’.
