Maamannan Movie Review: Political correctness triumphs over story in Mari Selvaraj film – India Today

By Janani Okay: Mari Selvaraj is a reputation that has been making waves on social media in current days. From going through criticism for his model of movies to being embroiled in controversy over alleged mistreatment of his assistants, he has skilled each the highs and lows of fame. All this limelight for his newest outing, Maamannan, which boasts a star-studded solid together with Vadivelu, Udhayanidhi Stalin, Fahadh Faasil and Keerthy Suresh.

Maamannan (Vadivelu) serves as an MLA representing the Kasipuram constituency and is affiliated with a political social gathering that advocates for equality and social justice. His son, Adhiveeran (Udhayanidhi Stalin), is an Adimurai (a martial artwork practised in Tamil Nadu) instructor and in addition maintains a pig farm as a pastime. In the identical village, Rathnavel (Fahadh Faasil) is an influential politician, who’s the pinnacle of the political social gathering that Vadivelu is related to.

Leela (Keerthy Suresh) operates a free teaching middle and faces threats from Rathnavel’s brother. Leela and her mates carry this drawback to Veeran, which snowballs into an enormous ego conflict between Maamannan and Rathnavel. This kinds the story of Maamannan.

Mari Selvaraj is a promising filmmaker within the historical past of Tamil cinema, and his expertise is simple. Having proved his mettle in movies like Pariyerum Perumal and Karnan, there are excessive expectations surrounding Maamannan. The political thriller delves into hard-hitting themes of oppression, reservation and social injustice.

Maamannan is his weakest story when in comparison with his earlier movies. The movie has some nice moments that spotlight Mari Selvaraj’s prowess. Nonetheless, these moments are usually not sprinkled all through the movie. The second half of the movie has not a lot to supply when it comes to story, therefore it drags alongside. Whilst you await the story to hit its peak within the latter half, you find yourself upset because it doesn’t have sufficient meat.

Here is the trailer:

Mari Selvaraj spent his undivided focus on gifting the viewers a politically right movie. And he has succeeded in it. Proper from the primary body, it has a number of moments that speak about oppression and social injustice. For instance, we see Veeran educating two of his college students the significance of the battle. He lets them battle after which explains the distinction between cowardice and ignorance.

Equally, Mari Selvaraj’s movie is filled with metaphors, which breaks stereotypes and raises pertinent questions. In Maamannan, we see pigs vs canines all through and the metaphor is solely pretty. Whereas pigs are thought-about ugly, he defies this notion in his movie. There are moments of greatness sprinkled all through the movie.

Maamannan has nice performances by Vadivelu and Fahadh Faasil. To see Vadivelu acing a critical character who’s calm and picked up, is a break free from his comedy roles. Equally, Fahadh Faasil, as an egoistic politician who takes satisfaction in his caste, has splendidly portrayed his character. Being Udhayanidhi Stalin’s final movie he has given it his all. His efficiency is shifting and makes you root for his character. In different phrases, Maamannan can be a movie that may assist mission him because the chief he needs to be. Keerthy Suresh has an evocative function. Nonetheless, her efficiency does not match up with the greatness on display screen.

After the performances, it’s AR Rahman who stole the present. Being a rural movie, Rahman, along with his Western tunes, has given a brand new color to the movie. Theni Eswar’s visuals, particularly the black-and-white flashback parts, improve the temper of the movie.

Maamannan is a movie that raises necessary questions for society. Nonetheless, it’s let down by the screenplay, which has too little to supply.

2.5 stars out of 5 for Maamannan.

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