‘My Brother Nikhil’ Fame Onir Unveils The First Look Of His New Movie Featuring Vidhur Sethi & Sahib Verma In An Intimate Moment

Director Onir, who has a powerful voice for the LGBTQ group, has unveiled the primary poster for his extremely anticipated movie, ‘Pine Cone.’

The movie serves as a strong advocate for true illustration of the LGBTQ group in cinema coming from lived experiences.

‘Pine Cone’ is about to open South Asia’s largest queer movie pageant, Kashish, on June 7, promising to captivate audiences with its layered love story of a homosexual man as he navigates by love, loss and need.

As an out and proud homosexual man, Onir has devoted his profession to crafting narratives that commemorate the LGBTQ group and their journey in direction of love, equality and acceptance. ‘Pine Cone’ is yet one more outstanding addition to his portfolio, exploring queer need sans filters whereas difficult stereotypes.

The primary poster for ‘Pine Cone’ affords a glimpse into the extraordinary feelings that engulfs the movie. Painted as an artwork piece, it options the lead actors Vidhur Sethi and Sahib Verma in an intimate and tender second, symbolising the depth and complexity of the love and need.

Onir lately took to Twitter and shared his views concerning the insider and outsider debate within the trade. He additionally expressed how it’s a common factor within the Hindi Movie Business and has been normalised to an extent one can’t think about.

In a current interview with Dax Shepherd, Priyanka Chopra stated that some folks tried to nook her in Bollywood, and that’s when she exited and dug for profession alternatives in Hollywood. This sparked outrage within the trade with rumours stating that PC has upset some massive names and he or she could also be ousted from her subsequent challenge Jee Le Zara.

Now, filmmaker Onir, took to Twitter to validate Priyanka Chopra’s hard-hitting claims concerning the darkish facet of the trade. The director wrote, “A reality everyone seems to be conscious… infrequently the discourse surfaces, after which the world goes again to the identical practices, and far of the media that criticises busy being paparazzi to star youngsters and media refusing to speak to “outsider” newcomers. Whereas these profitable ones get cleverly appropriated by the identical individuals who have created these partitions and the remaining… preserve attempting to interrupt the wall with studios/ platforms/financiers of change into ‘viable’.”

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