Ooru Peru Bhairavakona review: Sundeep Kishan perseveres, but film needed more

Ooru Peru Bhairavakona evaluate: Vi Anand’s horror comedy movie, Ooru Peru Bhairavakona, hit screens this Friday. Starring Sundeep Kishan, Varsha Bollema, Kavya Thapar and Harsha Chemudu in lead roles, the movie is extra Disney than M Night time Shyamalan, in the event you get the drift. Whereas the movie appears to have a deep metaphor driving the story, it by no means takes itself critically sufficient so that you can care. (Additionally Learn: Akansha Ranjan Kapoor interview: Each pal I’ve is making an attempt to bag a south movie as a result of they’re doing so properly)

Ooru Peru Bhairavakona story

Basava (Sundeep) and his pal John (Harsha) have stolen some valuable jewelry and are on the run. They’re not thieves, however Geetha (Kavya), whom they decide up on the way in which, is likely to be. Greater than one thing as delicate as destiny, a path brightly lit by fireflies leads them to a mysterious place referred to as Bhairavakona. The stage is about for one thing Basava would’ve by no means imagined as a result of he has to pay the worth for what he has accomplished.

Ooru Peru Bhairavakona evaluate

Have a look at Vi Anand’s filmography and also you see these grand concepts which are progressive, enjoyable and generally fairly distinctive, however they don’t at all times translate into an interesting movie. However in contrast to his 2020 movie Disco Raja, Ooru Peru Bhairavakona stays watchable, and fascinating when he reveals his hand. Nevertheless, it goes go off the rails generally. The non-linear storyline may not be everybody’s cup of tea nevertheless it’s needed for the ultimate reveal.

Haunted mansions galore

Ooru Peru Bhairavakona has a haunted mansion that may remind you of Disney’s Haunted Mansion for apparent causes. The movie’s therapy additionally goes alongside these strains whereby the protagonists is likely to be scared for his or her lives, however you’re too busy chuckling to care. The movie’s first half takes its personal candy time to set issues up, making you marvel the place it’s all heading. You marvel if we even have to see Basava’s one-sided pining for Bhoomi (Varsha). Seems we do, however the path to there may be suffering from males extra horrific than ghouls, and hidden truths.

The deep metaphors

Whilst Dr Narappa (Vennela Kishore) is making his distaste for girls identified, or there are secretive ninja-like warriors barring individuals from leaving the place, or a mysterious aged girl everybody refers to as ‘peddamma’ doesn’t at all times appear clear in her intentions, Vi Anand peppers the movie with metaphors. Past all of the old-school magic the movie reveals, it additionally explores the ‘magic’ of forgiveness -towards your self or others. Concern drives people (and generally ghosts) to be irrational, which can also be one thing he explores properly. Seems, wanting on the massive image shouldn’t be as onerous because it appears.

The irony

For this reason it’s ironic that whereas all of the puzzle items of Ooru Peru Bhairavakona do match properly by the top, the way in which the movie is narrated exams your persistence. When you recover from the gem-hued decadence of the frames, you realise for greater than half of the movie you don’t actually know what’s occurring. There’s a love story on the core of all of it and it’s vital you spend money on that. But it surely’s so cliche and run-of-the-mill that you just don’t actually purchase into it. Basava’s obsession with the stolen gold additionally feels extreme at instances, even when he has a superbly good purpose for it.

On the finish of all of it

Ooru Peru Bhairavakona is a popcorn watch that isn’t as advanced because it feels initially. It helps that the lead solid carry out their roles properly, ably aided by Raj Thota’s cinematography. Shekar Chandra’s songs are first rate however they really feel pointless, even when Nijame Ne Chebutunna is such an earworm. Whereas Bhairavakona’s again story is partaking, the movie might’ve been higher. To not point out, extra campy!

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