Pokhar Ke Dunu Paar movie review: Poetic and profound, the best Hindi film of the year – The Indian Express
A gently paced doc of city decay, a loving tribute to human resilience, and a last-minute rescue operation for a movie trade drowning in a ditch of mediocrity, director Parth Saurabh’s Pokhar Ke Dunu Paar is one of the best Hindi film of the yr. Launched on Mubi, it tells the story of an eloped couple who return to their hometown of Darbhanga, as they reel from the monetary aftershocks of the pandemic and maintain on to the final vestiges of romance as practicality rears its ugly head.
Not like most typical movies, Pokhar Ke Dunu Paar is extra within the moments earlier than, after and between the drama. We by no means see how Sumit and Priyanka, performed by the exceptional Abhinav Jha and Tanaya Jha Khan, truly made their relationship work, a lot much less how they managed to run away. Nor can we ever reduce away to the disgruntled dad who is commonly talked about by means of the course of the movie’s lean, however thematically wealthy, narrative. We’re left to exist alongside Sumit and Priyanka, as they reckon with the magnitude of the choice they’ve made, maybe having imagined an idyllic life collectively. Consider it as a feature-length enlargement of the memorable closing shot of The Graduate, by which Dustin Hoffman and Katharine Ross ponder an unsure future after getting married in a second of mad ardour.
Job alternatives aren’t the one factor that individuals like Sumit and Priyanka had been robbed of by the pandemic; their dignity was snatched away as nicely. And so, after having lived a full life in New Delhi and with nowhere else to go, they return to Darbhanga. Not welcome at house, they gap up on the highest flooring of a dilapidated dormitory that after was once a grand mansion, a logo of their disintegrating relationship. The massive doorways and lavish balcony create an phantasm of freedom. However Priyanka isn’t free. nor does she reside in a penthouse, a lot as her short-term lodging could seem to be one. She’s trapped in an open-air jail, remoted from all people else, each in life and within the painterly frames composed by cinematographer Pradeep Vignavelu. In the meantime, Sumit, a wastrel, wastes time on the ‘exterior’, loitering round city, taking pictures the breeze along with his pals, and returning ‘house’ each night with nothing however dangerous information.
He’s is the embodiment of the entitled Indian male, dwelling in blissful oblivion, or at the least denial. He’s is so assured of his personal capabilities as a lover and a supplier that he ignores Priyanka’s repeated cries for assist. Performed with simmering power by Khan Jha, she’s visibly tentative round him, nearly as if she’s watched this film earlier than. She coddles him when he throws a tantrum, raises issues however by no means her voice. When Sumit guarantees he’ll positively purchase that range she’s been asking for, she doesn’t consider him, nor does she belief him when he vows to take his job-hunt extra severely. However what selection does she have, as a girl who has made in all probability the largest choice of her life by selecting to run away with a person she thought she beloved?
Unfolding throughout simply a few days, Pokhar Ke Dunu Paar exists on the intersection of producer Achal Mishra’s personal movies and the moody epics of the Turkish auteur Nuri Bilge Ceylan. The story performs out in lengthy, unhurried, and largely static pictures, and in permitting the conversations to unspool naturally, Saurabh makes room for surprising diversions. Sumit and Priyanka know the ins and outs of one another’s personalities; they know after they’re strolling on eggshells, and after they’re tip-toeing over a minefield. Usually, the ‘level’ of the scene turns into clear 10, generally quarter-hour after it has begun.
A memorable scene is staged on the big balcony of their house, with Sumit and three of his equally ineffective buddies having an aimless dialog over some ‘chakna’ and alcohol that none of them can actually afford. That is the movie’s longest, most revelatory stretch of storytelling, and there’s a purpose why Saurabh locations it after the half-way mark. By then, the film assumes, you’d have already solid alliances.
And as troublesome because it already was to have any actual sympathy for Sumit, this scene pushes him additional into the realm of irredeemability. He seems to have an analogous have an effect on on most individuals; as performed by the magnetic Jha, Sumit can activate the appeal when he must, however hidden beneath all that bravado is an insecure soul, afraid of being alone. We be taught that he was in all probability the form of loudmouth who peaked as a teen, and continues to command a stage of management over a handful of stragglers as a result of they didn’t have anyone else to look as much as. His male ego is so fragile that he refuses to confront the reality, that he now not has as many pals as he usually brags he does. Sumit is like these 35-year-old college students that may be discovered loitering beneath timber at each Delhi College faculty, meting out recommendation to unsuspecting freshers on every little thing from the place to get photocopies and which cellphone numbers to name within the occasion of a ‘bhasad’, ready to be forged because the protagonist of a Sandeep Reddy Vanga movie.
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However why does Priyanka proceed to be with him? Like so many relationships, romantic or in any other case, that reached a breaking level through the pandemic, there’s a way that the lockdown snapped an invisible thread between Sumit and Priyanka as nicely. We meet them after they’ve in all probability fallen out of affection, after the fun of revolt has worn off, and this realisation colors the movie in a wholly new mild. It takes a go to from Priyanka’s namesake buddy, who adopted the extra typical path and nonetheless ended up sad, for her to be jolted again to actuality. Pokhar Ke Dunu Paar isn’t a lot about holding onto the previous as it’s in regards to the endless strain to start out afresh.
Pokhar Ke Dunu Paar
Director – Parth Saurabh
Forged – Abhinav Jha, Tanaya Jha Khan
Ranking – 4.5/5
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