‘Raksha Bandhan’ movie review: Akshay Kumar shines in this festival crowd pleaser
The movie’s participating highly effective anti-dowry sentiments, together with Akshay’s good comedian timing, ensures that there’s sufficient to maintain the viewers tied for 2 hours
The movie’s participating highly effective anti-dowry sentiments, together with Akshay’s good comedian timing, ensures that there’s sufficient to maintain the viewers tied for 2 hours
When gamers are off form, they’re suggested to spend a while on the house turf. It appears director Aanand L. Rai and Akshay Kumar have listened to the recommendation and have conjured up a pageant crowd-pleaser that celebrates the brother-sister bond, and makes a stinging touch upon dowry.
Raksha Bandhan
Director: Aanand L. Rai
Forged: Akshay Kumar, Bhumi Pednekar, Sadia Khateeb, Deepika Khanna, Smriti Shrikant, Sahejameen Kaur
Runtime: 108 minutes
Storyline: A chaat store proprietor struggles to offer dowry for the weddings of his 4 sisters
If judged via the trailer, the movie would possibly seem like a regressive concept wrapped in an outdated bundle. It has been three many years because the Hindi movie trade requested Yeh Aag Kab Bujhegi (1991). Dowry deaths proceed to occur regardless of stringent legal guidelines, however they’ve stopped making headlines or inspiring filmmakers.
Set in Outdated Delhi, within the week of gol gappas, Akshay performs Lala Kedarnath, who runs a chaat store the place his speciality is water pancakes for pregnant ladies who desire a male little one. A brother to 4 sisters, his principal goal in life is to rearrange dowry for his or her weddings, even when it means promoting his kidney. It’s onerous to consider that the concept of economic independence for women hasn’t gained floor within the nationwide capital, however the writers, Himanshu Sharma and Kanika Dhillon, have woven in a bouquet of feelings. Raksha Bandhan has sufficient materials to maintain the viewers tied for 2 hours, and the tempo and pitch of the narrative are such that it doesn’t mean you can simply gauge the gaps.
The politically-incorrect Dilli humour of the primary half seamlessly flows into the equally highly effective anti-dowry sentiments of the second. In between, backed by Himesh Reshmmaiyya’s Punjabi tunes, Aanand evokes the standard brother-sister love that has gone lacking from Hindi cinema.
An skilled at pulling the heartstrings, in a approach, Aanand has returned to the Tanu Weds Manu zone which lends Akshay the platform to flex his irreverent humorous bone. It has been some time because the actor gave such a free-flowing efficiency the place his comedian timing and emotional vulnerability are evenly matched. Sadia Khateeb, Deepika Khanna, Smriti Shrikant and Sahejameen Kaur present good help as doting sisters.
Regardless of having a well-oiled coronary heart, a few of the creaking nuts and bolts within the narrative are very obvious. Kedarnath is so frightened concerning the wedding ceremony of his sisters that he delays his personal marriage together with his love curiosity Sapna (Bhumi Pednekar). Why can’t his sisters discover love or why can’t Sapna decide up a job? Why the women are so centered on discovering a groom at an age the place they need to be eager on discovering their ft is left with no dialogue. If the brother is out of tune with the instances, the sisters might voice their considerations. It appears the sisters have little company… as a result of the brother is being performed by Akshay. Training doesn’t appear to be on the precedence record of the formidable wedding ceremony planner (Seema Pahwa) both.
There are occasions when it feels that, within the title of making an environment of on a regular basis poisonous patriarchy, the writers start to get pleasure from fat-shaming and colour-shaming the sisters. However ultimately, Himanshu and Kanika return to 2022 and redeem Raksha Bandhan.
Raksha Bandhan is presently operating in theatres