RDX movie review: An explosive mass actioner that fully lives up to its title – The Indian Express

In distinction to different comparable movies that are inclined to excessively emphasise one actor and their function, based on their star worth, the well-crafted screenplay of RDX, penned by Adarsh Sukumaran and Shabas Rasheed, successfully ensures balanced significance for all three lead characters.

Even the person intros of Robert, Dony, and Xavier on the outset, set in 2005, seamlessly align with their present life conditions, whereas nonetheless catering to the specified mass attraction. Conversely, within the flashback set within the late 90s, they’re launched collectively, once more in a dynamically fashionable method, unmistakably highlighting the unity among the many trio.

A key spotlight of RDX’s script is its preliminary sequence, spanning a number of minutes, which aptly lays the muse for the forthcoming occasions. This sequence adeptly introduces a considerable variety of important characters, delving into their traits and the bonds they share.

Within the current timeframe of RDX, the trio is depicted as people who’ve grown extra composed and mature. In distinction, the flashback highlights their earlier selves and the evolution that has formed their present identities. The movie’s script strategically arranges moments to create a seamless narrative development resulting in a strong climax. This skilful script elevates the story, penned by director Nahas, past its common high quality which shares similarities with widespread motion, revenge dramas. A extra exact trimming of the script would have helped the staff in making a movie with even higher affect, contemplating that sure cases within the current timeline may have simply been omitted.

Concurrently, director Nahas’ conception of RDX deserves notable commendation. His exceptional management over the movie and the spectacular method by which he envisioned the undertaking elevate RDX to fulfill its namesake, leaving an explosive impression on audiences. With out hurrying by the motion sequences and in addition giving due significance to the emotional dimensions, Nahas succeeded in crafting the best masala film of the yr up to now.

The stunt choreographer duo Anbariv undeniably shine on this actioner. Their distinctive work in motion pictures like KGF, Vikram, and Sarpatta Parambarai resonates in RDX too, the place every successive combat scene surpasses the earlier one. Moreover, their consideration to element in portraying the trio’s youthful power within the flashback and the present-day composure additional enhances the movie’s attraction. Leveraging the total potential of Karate and the exceptional agility and talent of the three lead actors, Anbariv has gifted Malayalam cinema with a really unforgettable motion expertise.

Shane, Antony, and Neeraj ship spectacular performances of their respective roles, though the story’s lacklustre nature prevents them from having standout moments to really showcase their appearing prowess. Via RDX, Shane successfully silences his critics who label him because the ‘Melancholy Star’, showcasing his potential to attain exceptional heights. Lal, Mahima Nambiar, Aima Rosmy Sebastian, Maala Parvathi, and Baiju additionally shine, regardless of the underwhelming narrative not offering them with substantial alternatives.

Though it’s pure to anticipate intense motion from Babu Antony in any movie he’s part of, RDX fails to ship that pleasure till the conclusion, leaving the viewers fearful. However, the film astounds everybody by unleashing him in direction of the top, creating a really exhilarating second that justifies the wait.

Alex J Pulickal’s cinematography successfully captures the film’s environment, significantly the dynamic motion sequences. Nevertheless, it’s Sam CS’ background music that really stands out, complementing the moments in an distinctive approach. Regrettably, the omission of Jakes Bejoy’s music “Halaballoo” from the ultimate minimize considerably dampens the temper, because it had the potential to reinforce the general expertise.

Though Chaman Chakko’s enhancing impresses at many junctures, it considerably falters throughout sure combat scenes as a result of frequent cuts that negatively affect the viewing expertise.

In a current dialog with The Indian Categorical, the film’s producer Sophia Paul stated that they got here throughout RDX whereas trying to find a undertaking that encompassed motion, scope for being multi-starrer, family-oriented leisure, and choreographed songs appropriate for large screens. Undoubtedly, RDX fulfils all of the expectations she and the viewers had for this festive interval.

Briefly, RDX serves because the reward that Malayalam audiences have longed for — a theatrical leisure that matches the electrifying experiences present in different languages.

RDX film forged: Shane Nigam, Antony Varghese, Neeraj Madhav and Mahima Nambiar
RDX film director: Nahas Hidayath
RDX film score: 3.5 stars