Red Sandalwood Movie Review: Raw, Real But Melodramatic – Times Now
About Crimson Sandalwood
There’s something ground-level cinematic, although not fairly inventive, a couple of movie that tackles a burning subject—Tamil migrants embroiled in sandalwood smuggling in Andhra Pradesh—and but endeavours to provide the end-product a melodramatic twist.
Crimson Sandalwood, no masterpiece by any yardstick, strives to inject realism right into a storytelling that’s loud and in-your-face. It’s a story that wanted to be advised, bringing out the degrees of poverty in Tamil Nadu which coerces locals to maneuver to a high-risk job like sandalwood tree-deplantation and its after-effects on the household of the compromised migrants.
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Sensibly, the author focuses on one hero Prabha (performed by Vetri) successfully subsuming the perfect of display screen heroism whereas permitting his character to characterize the grassroots’ agonizing powerlessness. It’s like Deewaar meets Akrosh. However is nowhere close to the rigorousness of both.
At occasions, the swing-shifts within the narration are as harmful because the job that the migrants are pressured into taking. In a single darkish and brutal sequence, a number of migrants are rounded up at a police station and are made to inform their tales to a cop who seems to be the sandalwood kingpins Harimaran’s (Ramachandra Raju) informer. On this approach, the proceedings are perched on a slanted slope the place violence merges into hope.
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Lastly, although the melodramatic streak wins. The best way during which Vetri shoots his approach to freedom from the violent nexus, whereas all his colleagues on-the-run are shot one after the other, defies all logic.
This isn’t a movie on the brutalization of underdogs that Vetrimaaran would make. That is extra the world that Atlee Kumar would inhabit and garnish with additional helpings of gore.
The modesty of presentation that runs via Crimson Sandalwood is its major asset. Because the finances is modest, the presentation is accordingly deglamorized and earthy. The actors are all unknown or non-star sorts, wanting into the world of darkness and despair with a way of identification.
The actors could be known as pure if put in a much less theatrical temper. Right here, they grapple with the grammar of mass leisure which ideally, this movie doesn’t deserve, or advantage.
As a piece on wounded battle-scarred underdogs operating for his or her lives as they’re focused for encounter shootings, Crimson Sandalwood would get your consideration, although after getting it, the minds mining the mayhem is probably not seen to respect your consideration. In the best way the characters are seen to be struggling, it typically feels exploitative.
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