‘Silent Night’ Review: John Woo Lets Guns Do the Talking in Tight Dialogue-Free Revenge Thriller – Variety

If John Woo had permitted the characters in “Silent Evening” to talk, likelihood is that audiences would snicker them off the display screen. As an alternative, the director will get proper right down to enterprise, opening with a wordless chase sequence through which a tragic dad (Joel Kinnaman) in a corny Christmas sweater sprints after a pair of rushing automobiles. Contained in the autos, dangerous males blast machine weapons, whereas our anonymous hero is armed with … simply his wits and the jingle bell round his neck.

By the point this man — recognized as Brian Godlock ultimately credit — catches as much as the gang members who murdered his son, “Silent Evening” has already demonstrated that Woo has no intention of letting logic get in his means. And why ought to we count on any completely different from the director of “Face/Off,” whose title-says-it-all gimmick had two rivals swapping identities through cosmetic surgery? The film dedicates loads of time to watching Brian mourn and his marriage dissolve (Catalina Sandino Moreno performs the spouse who leaves and not using a phrase), however the youngster’s loss of life is simply the set off. The film wants an excuse to ship his offended father on a rampage.

Again within the late ’80s and early ’90s, Woo virtually single-handedly rewrote the codes of motion cinema. Then “The Matrix” stole his tips, and Woo’s personal films began to really feel much less spectacular than his imitators’ (for all its showmanship, “Mission: Inconceivable II” already felt like a parody of a John Woo film). Foolish because it is likely to be, “Silent Evening” provides audiences motive to get excited in regards to the Hong Kong innovator as soon as once more, rating as one of many few bloody Christmas counterprogrammers since “Die Laborious” that feels worthy of repeat viewing down the highway.

“Silent Evening” just isn’t, as its title would possibly recommend, a silent film. Between all these bullets and Marco Beltrami’s pulsating rating, it’s fairly a loud one, in truth. What Woo’s return to American shores actually represents is an prolonged stab at what Alfred Hitchcock known as “pure cinema”: utilizing the digital camera, enhancing and sound design — somewhat than dialogue — to inform the story. Higher but, it’s a hat tip to French director Jean-Pierre Melville, an idol of Woo’s, who pared the discuss right down to a naked minimal in his masterpieces “Le Samouraï” and “Le Cercle Rouge.”

Brian needs revenge. He almost will get it in that opening scene, dispatching many of the gang members (one smashes face-first right into a forklift, snapping his head clear off) earlier than struggling the damage that provides “Silent Evening” its title: The movie’s villain — a tattooed thug referred to as Playa (Harold Torres) — shoots him within the throat, successfully destroying his vocal cords. Just a few months go by, and Brian’s physique recovers. However he can’t converse or scream. Brian internalizes his rage, and Swedish actor Kinnaman (of the “Straightforward Cash” collection) is a high-quality avatar for the grieving father who plots his ho-ho-homicidal reprisal for the next Christmas.

It doesn’t take a really refined screenplay to fill within the gaps. In actual fact, the style is so overplayed that author Robert Archer Lynn can rely on audiences to place the fundamentals collectively. In one of many movie’s first photos, a pink balloon floats above an inner-city neighborhood, suggesting — a lot as Fritz Lang did all these years in the past when a toddler goes lacking in “M” — that an harmless life has been taken.

The film skips proper over no matter efforts the cops make towards discovering the culprits and simplifies Brian’s personal search: He walks into the police workplace, acknowledges a mugshot of the person who shot him and begins prepping for payback. What would a dialogue-free motion film be and not using a coaching montage? The film by no means signifies what Brian does for a residing, however one factor’s sure: He’s not a deadly skilled like John Wick. Meaning he should discover ways to drive and shoot like an motion hero, and when he first kidnaps one among Playa’s goons, the interrogation goes spectacularly awry.

The tone of “Silent Evening” is lethal critical, however one can really feel Woo having enjoyable behind the digital camera, and his amusement interprets again to the viewers in a giant means. Solely Woo might pull off lots of the digital camera tips on show right here, whereas others — together with an prolonged shootout within the graffiti-tagged stairwell main as much as Playa’s lair — recommend that he’s been watching what administrators equivalent to Chad Stahelski and David Leitch have been as much as (in “John Wick” and “Atomic Blonde”), and needs to supply his personal tackle the gratuitous “oner” development.

Just a few of Woo’s ways could really feel acquainted, however for probably the most half, “Silent Evening” supplies a chance to flex throughout the film’s no-talking guidelines. Placing Brian behind the wheel of a bolstered Ford Mustang is a high-quality place to begin. Woo cheats a bit by having characters talk by textual content messages and handwritten notes (it is sensible that Brian and his spouse would try this, however not a lot the gangsters), whereas honoring the essential problem of speaking what audiences have to know through motion.

Maybe the trickiest instance happens when the detective on the case, Dennis Vassel (Scott Mescudi, higher recognized to most because the rapper Child Cudi), catches up with Brian on the prime of the aforementioned staircase. With weapons pointed at each other — a signature of many a traditional John Woo film — the 2 males alternate a protracted, silent stare in lieu of a dialog. After which the blasting resumes at full quantity, with nary a phrase spoken. Elsewhere, characters would possibly say one thing like “OK” or “hey,” however “Silent Evening” works higher with out dialogue to get in the best way of no matter carnage its stressed hero requires so as to sleep in heavenly peace as soon as once more.

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