Singapore Saloon Movie Review: Singapore Saloon is an awkward mix of humour and melodrama – IndiaTimes
Singapore Saloon Film Synopsis: Impressed by a barber in his village, a younger boy grows up with goals of turning into a hairstylist. However can he proceed to carry on to his dream amidst the challenges that life retains throwing at him?
Singapore Saloon Film Evaluate: There is a purpose that 10 years after its launch, Gokul’s Idharkuthaane Aasaipattai Balakumara continues to be his finest work but. The director has a particular comedian sensibility, and when he naturally gravitates in direction of it, we get moments which are laugh-out-loud enjoyable. In Singapore Saloon, we get that within the riotous pre-interval stretch, the place Gokul lets unfastened an unabashedly caricaturish Sathyaraj, who forges comedy gold with the absurdist writing. It is solely January, however we have already got a powerful contender for the funniest comedian second of the 12 months!
However after this excessive, the director decides to take the melodramatic route within the second half – which looks like one other movie totally – and solely finally ends up making us giggle on the unintended humour within the scenes. As a substitute of the lightness with which the premise – Kathir (a subdued RJ Balaji, who can not rise above the shallow characterisation), a younger man, impressed by Chacha (Lal, who immediately lends dignity to the character), the barber in his village, eager to grow to be a hairstylist towards all odds – is handled within the earlier parts, we get heavy-handed messaging that simply would not work due to the broad beats within the writing. Even because the protagonist is pushed right into a nook, his manner out of all his troubles comes throughout as too handy. All it takes to show his fortune is to provide a makeover to a gaggle of boys from the slum! That we by no means see how he achieves this makeover via his hairstyling abilities can be not proven; in reality, greater than coiffure, the boys’ new appears to be like come throughout as the results of their costumes!
However Gokul’s try at magical realism, involving a shock cameo from a star, who seems on the protagonist’s doorstep, and a flock of parrots, works to an extent. The director additionally provides a brand new spin to situations that now we have seen earlier than. Like Kathir’s dad (a likeable Thalaivasal Vijay), who, in contrast to dads in movies on this style, is sensible and supportive; the miserly father-in-law (Sathyaraj), who immediately agrees to marry off his daughter to the protagonist; and even the rival who stops being one after some extent! Ultimately, it’s these recent spins and the humour that guarantee our expertise from turning into a foul hair day.
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