Takkar Movie Review: Siddharth’s film is absurdity at its best – India Today

By Janani Ok: Siddharth, a person of many abilities, promised that Takkar will mark his arrival as a full-fledged industrial hero. The movie, which has been mendacity within the cans for some time now, lastly noticed the sunshine of the day on June 9. As Siddharth claimed, was the movie spectacular? Let’s discover out!

Gunz AKA Gunasekhar (Siddharth) is a helpless teenager who needs to turn out to be wealthy. He travels to Chennai and takes up totally different jobs to realize his dream. In most of his jobs, he was disrespected, which made him work for a taxi service as a cab driver. In the meantime, there may be Fortunate AKA Mahalakshmi (Divyansha Kaushik) who thinks that cash is the foundation reason for distress.

Additionally, there may be the villain, Raza (Abhimanyu Singh), and his gang, who’re concerned in human trafficking, smuggling and all anti-social actions. At one cut-off date, their lives get intertwined, which makes everybody run in direction of their objective.

Takkar is a movie that ought to have come out within the 2000s. Director Karthik G Krish’s story is so redundant that you would guess each single plot twist miles forward of its arrival. The movie is foolish and absurd on so many ranges that each sequence finally ends up being unintentionally humorous. There’s a complete stretch involving Yogi Babu assembly his gangster father. Whereas the dialogues are speculated to be humorous, you don’t snigger on the jokes, you snigger on the silliness unfolding on display.

We’re in 2023 and administrators like Karthik G Krish nonetheless depend on calling Yogi Babu monkey face, donkey face and buffalo face. The movie additionally includes a bunch of Chinese language folks, who’re referred to as Gurkha boys by the actress. Neglect political correctness, why can’t filmmakers steer clear of such name-calling?

This is the trailer:

Takkar additionally falls below the class – it’s so dangerous that it’s good! The movie has a romantic angle that screams bizarre. Siddharth and Divyansha have totally different takes on love. Each of them wish to show some extent to one another. And guess what they do! They ebook a motel to have intercourse and voila! The heroine falls in love with the hero as a result of he irons her garments, picks up the comb she by chance drops and opens the automobile door for her.

Siddharth tried his greatest to shoulder the movie. However, regardless of his severe face and myriad expressions, one simply can’t take something severely within the movie. The villain and his gang are so silly that you’d wish to smack them of their head, asking them to be no less than barely lethal. However no! That’s too excessive of an expectation for a movie like Takkar.

Divyansha Kaushik is an eye fixed sweet within the movie. She is given some attention-grabbing dialogues about feminism and patriarchy. However, these statements don’t make any sense as she performs a damsel in misery, who needs to be saved by the hero on the finish of the day.

Music by Nivas Ok Prasanna was jarring to the ears, particularly throughout the emotional sequences. The viral Nira track, nevertheless, was picturised nicely by cinematographer Vanchinathan Murugesan.

Takkar is a movie that may proceed to check your endurance now and again. Its silliness and absurdity will blow your thoughts.

1.5 stars out of 5 for Takkar.

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