Tamilarasan Movie Review: Tamilarasan is all heart, but where's the brain? – TOI Etimes
Tamilarasan Film Synopsis: Pissed off with a grasping hospital, an sincere cop takes its coronary heart surgeon hostage to save lots of his son.
Tamilarasan Film Evaluation: Babu Yogeswaran’s Tamilarasan is a movie that is full of flaws, like a affected person affected by a number of medical points, however there’s one grievance that you just can not lay in opposition to it… that it lacks coronary heart. For, on this movie a couple of coronary heart transplant, the characters appear to alter hearts as conveniently as slipping out of a hospital robe. These emotional transformations are as sudden and unpredictable as a cardiac arrest. Maybe we must always be pleased about such unintentional poeticism in a movie with a weak pulse.
Its protagonist, Tamilarasan (Vijay Antony) is a cop, of the bleeding coronary heart form. He and his loving spouse Leena (Ramya Nambeesan) obtain the shock of their lives after they study that their son Prabhakar (Pranav Mohan) has a weak coronary heart and the earlier they go for a transplant the higher. They get him admitted to a hospital, which, sadly, cares extra about earnings and is full of cold-blooded directors and stone-hearted docs. With a minister, too, in want of a coronary heart, poor Prabhakar turns into low-priority for the hospital. An enraged Tamilarasan decides to take their coronary heart specialist Dr Muruganantham (Suresh Gopi) hostage and pressure them to deal with his son first. Can he save his son, particularly together with his corrupt superior Rana Pratap Singh (Sonu Sood), a person who already has a bone to choose with him, attempting to place him down?
Tamilarasan is the sort of movie that, even on paper, appears like a affected person in want of a medical miracle. The movie’s writing is as haphazard as a health care provider’s handwriting and its tone retains shifting erratically, like a affected person’s fluctuating pulse. How else can one clarify the change in tone between a scene the place a boy is combating for his life with a scene the place Robo Shankar does his limp comedy by making a double entendre out of the phrase physique. Giving him stiff competitors is Yogi Babu, whose comedy entails rhyming mosam poiten with movement poiten.
Like a pharmacist selecting to disregard a health care provider’s prescription, the movie does away with analysis with reference to organ transplantation. This strategy solely results in scenes which are painfully melodramatic and unintentionally humorous. If the thought was to show medical corruption and greed in hospitals, we have already seen all of it competently accomplished in Ramana — 20 years in the past! And it has cops coping with the hostage scenario in such a laughable method that makes the cops in Bhagyaraj’s Rudhra seem to be environment friendly ones.
We additionally get an ensemble solid of skilled actors, like Suresh Gopi, Sangitha, Kasthuri and Radha Ravi, however their performances are as scientific and devoid of emotion as nurses helping a surgeon on an operation desk. Ramya Nambeesan, in the meantime, is left to do two issues — romance Vijay Antony as if he is Vijay Sethupathi in Sethupathi, and act as a nervous mom. And because the central character, Vijay Antony, as standard, is earnest, however past that, his efficiency is as stiff as an unresponsive affected person.
That mentioned, the movie, like its lead actor, is honest. It needs to be socially accountable, and tucks in references to the Thoothukudi shootout. It stays politically appropriate in terms of speaking about girls. However when the remedy is as old style because the songs that Ilaiyaraaja dishes out, it leads to a movie-watching expertise that’s as boring as watching an IV drip.
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