The Son review – Hugh Jackman excels in solid yet inferior follow-up to The Father – The Guardian
Let’s get this out of the best way: anybody anticipating Florian Zeller’s second movie to match his Oscar-nominated debut, The Father, for complexity and ingenuity can be upset. The Son, which, like The Father, was tailored by Zeller from his stage play, is a strong, affecting home drama that offers with a mother or father – high-achieving lawyer Peter (Hugh Jackman) – struggling to deal with his teenage son’s psychological well being points. It’s usually well-acted: Jackman is terrific, his costly equilibrium knocked off kilter by his son’s failure to thrive. And in a single, scathing cameo, Anthony Hopkins drenches the display in bile and hate. However in contrast with Zeller’s earlier movie, this image is slightly extra easy in its storytelling and fundamental in its insights.
The truth that this story of melancholy is instructed from the standpoint of the mother or father slightly than of Nicholas (Zen McGrath), the kid who’s affected by it, has proved to be controversial. However in actual fact this is among the extra profitable, if uncomfortable components. Zeller explores how disappointment repels; how individuals involuntarily recoil from melancholy, perpetuating the isolation of the sufferer.
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