The Twin movie review & film summary (2022)
“The Twin” is mainly “Midsommar” meets “The Boy,” and but not as enjoyable as that mash-up may suggest. Palmer performs Rachel, a lady who isn’t even allowed an oz. of character growth earlier than she’s despatched headlong into unimaginable grief after a automobile accident kills one in all her twin boys Nathan. To go away the ache of all of it as far behind as doable, Rachel, her husband Anthony (Steven Cree), and their surviving son Elliot (Tristan Ruggeri) jet off to Finland, from the place Anthony’s household hails. Virtually instantly, Rachel is thrust into weird cultural whiplash, together with seemingly innocent rituals like a marriage swing that will get malevolent and an area British eccentric who warns her issues aren’t as they appear. After which Elliot begins speaking about how Nathan isn’t actually gone. In truth, Nathan desires to return.
Taneli Mustonen directs Palmer to a kind of breathy, always-on-edge performances that actively pushes away any try at realism, and but he doesn’t exchange it with camp both, leaving the poor actress in a kind of turns by which one can all the time really feel her appearing however by no means really feel her feelings. Not less than some effort is made together with her, which is greater than could be stated for the opposite two members of her household. Anthony is a non-character, a uninteresting sounding board for Rachel to bounce off her issues about her son, who simply will get to play creepy child notes till the bounce scares kick in.
The grief of dropping a baby should thrust regular folks into conditions the place they don’t really feel welcome and even sure that the world round them is sane. And but “The Twin” by no means desires to reckon with this displacement and even use it to supply real scares, merely exploiting grief as a substitute of unpacking how the immediacy of demise in somebody’s life may ship them off any psychological or emotional edge. Actually, it’s giving “The Twin” approach an excessive amount of credit score to counsel it even thought of any of those large image questions. “The Twin” simply treads water with B-movie model till it will get to the deep ending. And that’s the place the entire thing drowns in its lack of ambition and execution.
On Shudder at present.
