The Whisper of Silence review – coffee-taster drama makes most of stunning locations – The Guardian
This drama from El Salvador has a number of commendable options, beginning with a young, sympathetic central efficiency from Laura Osma as Josefina, a candy younger girl who discovers she has an distinctive sense of odor. Nevertheless, one thing doesn’t fairly odor proper about the way in which the movie clumsily layers uplift and violence, served up with excessively stylised visuals and sound. It’s as if writer-director Alfonso Quijada, higher recognized hitherto as an actor and producer, doesn’t know if he needs to make a telenovela-style melodrama or one thing extra elevated and arty – within the custom of Claudia Llosa’s The Milk of Sorrow or Lila Avilés’s movies The Chambermaid and Tótem – with lengthy takes and indirect storytelling methods. In the long run, it fails to fulfill both ambition.
Josefina and her youthful brother Alfredo (William Castillo) misplaced their mom not way back and appear to have no father within the image; they dwell with their godmother in a rural a part of El Salvador. Josefina picks espresso on an property owned by Don Villagran (Boris Barraza) whereas Alfredo is meant to be going to high school. Nevertheless, he has taken to bunking off with some dangerous boys, as Josefina’s good friend Dalia (Emy Mena) describes them.
The primary plot observes Josefina as she learns to change into a espresso taster, educated first by her grandmother after which by Villagran himself. This results in her successful competitions within the large metropolis and being provided well-paying jobs at rival plantations. However Alfredo messes all of it up by going alongside together with his buddies after they attempt to rob a wealthy native gangster who apparently raped Josefina (it’s by no means fairly spelled out) earlier within the movie, and lands himself in serious trouble.
Utilizing some fancy new digital digital camera options, cinematographer Andy Hodgson shoots the movie in an ultra-wide format, so the entire film unfolds in a panoramic facet ratio that’s a bit distracting and presumably will look lower than its greatest if seen wherever apart from a correct cinema. Then again, the areas are beautiful: a mixture of tropical jungle and picturesque villages, bedecked in a riot of brightly colored textiles that coordinate with the ladies’s clothes. As a Pinterest board, that is terrific; as a characteristic movie, it’s much less satisfying.
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