Valimai movie review: Ajith Kumar pops a wheelie. That’s all
If you happen to watch Valimai with out figuring out the identify of its director, there’s a good probability you’ll assume it has been directed by Siva (Viswasam, Vivegam), one of many common collaborators of actor Ajith Kumar. The distinct voice that was current in director H. Vinoth’s previous films is sorely lacking in Valimai.
Valimai, which implies power, begins with a brooding police commissioner standing on the balcony of his high-rise condominium in Chennai. He’s in his pyjamas however sleep eludes him as lawlessness and anarchy have develop into the order of the day. Regardless of having the whole police power and assist of leading edge know-how at his disposal, he watches over town and wonders, who will defend its individuals?
The highest cop by some means hopes his prayers for assistance will attain the saviour, who can ship town from the clutches of Devil, which is how the principle antagonist, performed by Kartikeya Gummakonda, is addressed. Add fairly a build-up after that and we’re lastly prepared to fulfill our hero, Arjun (Ajith Kumar). The introduction scene comes amid a whole lot of gusto and fervour, with the climate god including to the impact with thunderstorm and lighting.
Vinoth goes old-fashioned in relation to organising the film; it appears he actually wished to create an city fantasy. He begins the story with some promise even because it lacks originality by way of staging, dialogues or creating hype for the hero’s arrival. After the preliminary hubbub settles down, it turns into painfully clear that the film has little or no to supply.
Vinoth’s thought of making an city legend goes awry when the movie fails to tell apart Ajith’s offscreen persona from Ajith’s character in Valimai. The reference to Ajith’s ardour for motorbikes is used as bait one too many instances. And when the followers chunk it, they’re whipped right into a frenzy. There’s a lot motion on the display however little or no occurs in each scene. The chase sequences play out on seemingly infinite roads. Arjun retains using varied forms of bikes on streets, on highways, off-roads. And he even makes use of his bike to leap from one high-rise into one other. The scene appears indebted to the Etihad Towers bounce sequence in Livid 7. And all these motion sequences don’t add as much as something larger than the easy pleasure of followers watching their favorite star pop a wheelie.
The film makes use of worn-out concepts to ascertain Arjun as a great cop, dutiful son, big-hearted brother and an exemplary human being. Particularly, the mom arc within the film appears like Vinoth’s determined try to crawl out of the quagmire of no new concepts. Kartikeya Gummakonda will get a uncooked deal because the villain, who’s all in favour of tattoos, face make-up, and, after all, bikes. Retaining according to the narrative model of the movie, even his appearing as a cold-blooded chief of a prison gang is unoriginal. His thought of channelling evil belongs in a museum, not on the large display in 2022. When the villain of a film is written so poorly, think about the destiny of different characters.
