‘Annapoorani’ movie review: Nayanthara stars in a template underdog story that’s neither appetising nor delectable – The Hindu
In one of many scenes of Annapoorani, the movie’s titular protagonist, performed by Nayanthara, prepares a Chettinad Rooster curry in her first-ever try and cook dinner with meat, solely to be instructed that it’s “good however not nice.” Debutant Nilesh Krishnaa’s movie is stuffed with many heartfelt, well-intentioned concepts which might be neither cooked to our coronary heart’s content material nor have the consistency or presentation to see by the proper meal it so desperately needs to be. The concepts are appetising however the movie isn’t delectable.
As a younger youngster, when Annapoorani walks subsequent to her dotting father, Rangarajan (Achyuth Kumar), the temple chef of the Srirangam Ranganathar temple, carrying freshly made choices to the lord, her eyes gleam with satisfaction and adoration. It’s with the identical love that Rangarajan inadvertently feeds his daughter’s aspirations to change into the perfect chef within the nation, just like the well-known chef Anand Sundarajan (Sathyaraj). However even Rangarajan doesn’t totally perceive the magic he sees in Annapoorani, this younger woman from an orthodox Iyengar household who’s swept away by the aroma of a fish fried on a scorching pan within the roadside.
So when she grows up and shares her want to be a part of a culinary faculty to change into a chef, Rangarajan forbids her to be in a spot the place meat is cooked. However what may she do if studying to cut a rooster is an unnegotiable prerequisite to turning into a profitable chef? Annapoorani is compelled to search out love from inside to gas her desires and make drastic selections, and she or he has the help of her mates, which incorporates Farhan (Jai), who’s secretly in love together with her.
Proper at first, Nilesh makes it clear that he needs to make a traditional movie that sticks to the template, and that takes a sure conviction. So if you get an animated sequence of a younger woman climbing up Everest each time Annapoorani strikes nearer to her targets, the sheer cuteness of including such a component makes you smile and also you marvel in regards to the prospects that lie forward. It’s only unlucky that every little thing that follows feels cluttered, rushed and awfully handy. All of the speak about how unattainable it’s for a cook dinner to enter a five-star resort’s kitchen turns into a joke when Annapoorani does it in simply two scenes.
Annapoorani (Tamil)
The storyline is just too overfed and Nilesh finds himself having to sew again one too many arcs to the primary narrative. As an example, even retrospectively, the element of Annapoorani being born with enhanced style buds serves no function; couldn’t a much less legendary, regular human being with a penchant for style ever dream? There’s numerous spoon-feeding that doesn’t assist the movie. As an example, if ascending a staircase isn’t metaphorical about rising to the highest, a personality has to spell it out by dialogue. Scene after scene, the dramatic background rating tries to promote you the feelings, however nothing actually sticks.
You are feeling a relentless distance from the proceedings and even the high-pitched moments — like when Rangarajan figures out that Annapoorani has been mendacity to him — simply don’t hit the mark you’d anticipate them to. The pre-intermission, as an example, has a ‘mass’ second involving Annapoorani lashing out at her landlord, and it’s baffling the way it all will get undone shortly later when she meets her once more. Karthik Kumar is introduced in as Anand’s son and a menace to Annapoorani to spice issues up, however he turns into a caricature at greatest.
A nonetheless from ‘Annapoorani’
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It’s appalling how random concepts are compelled into the narrative within the ultimate stretch of the movie; Annapoorani speaks about related gender points confronted by ladies in coming into the culinary enterprise however the movie does little or no to debate these facets.
The movie additionally refrains from exploring the various thought-provoking angles which might be already current within the story. As an example, Annapoorani chooses to eat meat, sure, however why doesn’t she rise to query why there isn’t another in place for cooks to cook dinner non-vegetarian meals with out having to eat it? The place else would you query this, if not in a movie that speaks about how style isn’t the one sense that cooking requires? Annapoorani is a movie that neither digs into the cut-throat realities of the meals and beverage trade nor makes up for it with scrumptious visuals of meals, which is one other concern on its personal
Nayanthara, in her seventy fifth movie, offers her all to the function, and lots of of her scenes with Achyuth Kumar and Sathyaraj remind you of the heartfelt concepts that solely stay as concepts on the core of this movie. Jai as Farhan will get little or no to do, as a chef, potential romantic accomplice and even as a cheerleader in Annapoorani’s pursuit to the highest; it’s solely ironic to consider Farhan as a gender-swapped feminine character from most different male-centric movies who’re relegated to simply help a romantic angle.
Annapoorani is ample in the event you’re hungry and searching for a small kiosk to snack. Should you’re too eager on consistency and an appetizing presentation, there’s little it has to give you.
Annapoorani is at the moment operating in theatres
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