Dhootha review: Vikram plays to his strengths in Naga Chaitanya’s web debut – Hindustan Times

ByNeeshita Nyayapati

Dec 01, 2023 11:46 AM IST

Naga Chaitanya will get the prospect to shed his ‘good boy’ picture on this darkish thriller that manages to superbly be part of all of the dots.

Dhootha evaluation: Naga Chaitanya and director Vikram Ok Kumar make their digital debut with the restricted net sequence Dhootha. In a state of affairs, the place many of the Telugu outings on the digital area have been nothing however a disappointment, this Prime Video sequence manages to get it proper for essentially the most half. Vikram performs to his strengths, tapping into what he did for 13B, to ship a moody and gritty thriller about information ethics that retains you engaged. (Additionally Learn: December upcoming net sequence: BTS Monuments, The Freelancer, The Crown, Cash Heist Berlin and extra)

Dhootha review: Naga Chaitanya in a still from Dhootha
Dhootha evaluation: Naga Chaitanya in a nonetheless from Dhootha

Dhootha’s story

The 12 months is 2022. Sagar (Naga Chaitanya) is a widely known journalist in Visakhapatnam with a pregnant spouse Priya (Priya Bhavani Shankar), who’s additionally a journalist on maternity go away, and a younger youngster. One darkish wet night time, he comes throughout an oil soaked newspaper clipping at a dhaba that predicts one thing horrendous. Sagar inadvertently pulls on a thread that unravels all of it, and he should discover a technique to put his life again collectively earlier than it’s too late.

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There have been tales like Early Version (English) or Yogen (Japanese) up to now which have delved into the psychosis that prevails when one will get a glimpse of the long run beforehand. Nevertheless, aside from the newspaper ingredient, Vikram manages to maintain issues rooted and contemporary in the case of Dhootha. His model appears impressed by Asian horror, which is fueled by pathos and the vagaries of human nature over pointless jumpscares.

An excellent job of connecting the dots

When it rains it pours, and it positive pours each actually and figuratively for Sagar by the span of eight episodes. However earlier than that occurs, Vikram reveals us a glimpse of the relationships Sagar shares with these round him. He looks like a righteous reporter and the proper husband on the floor, however because the layers peel away, you start to see the issues. The primary and second episodes draw you in instantly and maintain you hooked, making it exhausting to look away. Parvathy Thiruthovu as Kranthi Shanoy and Ravindra Vijay as Ajay Ghosh play police personnel who’re two completely different sides of the identical coin.

Because the physique rely and gore mounts up, so does Sagar’s desperation to discover a answer for his predicament, and extra importantly, discover out the reality behind it. Vikram does a stellar job of introducing a number of small characters within the story, who’re the nuts and bolts that make a bigger machine. Prachi Desai as Sagar’s PA Amrutha, Rohini as his mom, Tharun Bhascker, Raja Goutham, Pasupathy, Jeevan Kumar and others tie into the story neatly. In contrast to most fictional work, that appear suffering from pointless characters, he does job of connecting all of the items of a jigsaw puzzle till all of it begins to make sense.

The massive reveal

The best way issues are arrange from the start, you would possibly anticipate one thing completely different, one thing extra from the massive reveal. Vikram boils every little thing right down to lineage, good journalism and passing the baton to a world higher than the one you reside in. It may not be what you anticipate, nevertheless it’s passable none-the-less in the best way he pulls it off.

Dhootha offers Naga Chaitanya the prospect to do one thing he hasn’t earlier than – shed his ‘good boy’ picture. His character is deliciously layered, flawed and borderline unlikable, one thing he makes essentially the most of. His efficiency may not at all times land, however he retains you invested in many of the episodes that require him to do the heavy-lifting. Parvathy, Priya and Prachi get characters which might be something however run-of-the-mill. All three of them sink their enamel into it and do job. Mikolaj Sygula’s stunning cinematography and Varun Venugopal’s eerie sound design performs a significant half in elevating the temper.

The one gripe with the sequence needs to be that bang within the center, the story begins to really feel a bit bloated. Whilst Kranthi digs up Sagar’s secrets and techniques and conducts a parallel investigation, you start to really feel some data simply comes her manner, moderately than by good deduction. However one factor you may’t fault the sequence with is being boring. Watch it, particularly for those who’re a fan of horror and gore, all of it appears worthwhile by the tip.

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