Sadhana Shivdasani Wiki, Age, Death, Husband, Children, Family, Biography & More – WikiBio

Sadhana Shivdasani was an Indian movie actress who was energetic from 1960 to 1981 within the movie business. She was popularly known as by the title ‘Sadhana’ and was thought-about as one of many well-known, and highest-paid actresses within the Indian movie business from the Nineteen Sixties to Seventies. Within the Indian movie business, Sadhana Shivdasani was popularly generally known as ‘The Thriller lady’ for portraying mysterious characters within the films, which had been principally directed by Raj Khosla (was one of many prime administrators, producers, and screenwriters in Hindi movies from the Fifties to the Eighties).

Wiki/Biography

Sadhana Shivdasani was born on Tuesday, 2 September 1941 (age 74 years; on the time of demise) in Karachi, Sind, British India (present-day Sindh, Pakistan). Her zodiac signal was Virgo. Sadhana Shivdasani did her faculty research at residence for 8 years. and attended Auxilium Convent (Highschool in Wadala, Mumbai, Maharashtra) for highschool schooling. She additional accomplished her greater research at Jai Hind Faculty, Mumbai.

Bodily Look

Peak (approx.): 5′ 4″

Hair Color: Black

Eye Color: Black

Household & Caste

Sadhana Shivdasani belonged to a Sindhi household.

Dad and mom & Cousin

Sadhana’s father was the elder brother of actor Hari Shivdasani, father of veteran actress Babita Kapoor.

Husband & Kids

Sadhana Shivdasani acquired married to R.Ok. Nayyar who was an Indian movie director, producer, and screenwriter in Hindi language movies on 7 March 1966 and the couple had no kids. Sadhana met her ‘Love in Simla’ director Ram Krishna Nayyar on the movie units. Sadhana’s mother and father opposed this marriage as a result of she was very younger then and so they wished somebody who regarded like actor Rajendra Kumar. They had been married for thirty years. In 1955, Ram Krishna Nayyar died from bronchial asthma.

Sadhana with husband R K Nayyar

Sadhana with husband R Ok Nayyar

Signature

Sadhana Shivdasani's signature

Sadhana Shivdasani’s signature

Profession

Movies

Sadhana was extremely impressed to change into an actress and was finishing her research at Jai Hind Faculty, Mumbai. Some producers observed her performing expertise in a university play and approached her when she was 15 years outdated. She performed the position of Sheila Ramani’s youthful sister in India’s first Sindhi movie titled Abaana in 1958.

Within the Fifties, Sadhana acted as a baby artist in 4 movies within the Indian movie business.

In 1955, Sadhana made her debut within the Indian movie business as a refrain dancer lady in Raj Kapoor’s film Shree 420, the place her efficiency was unnoticed within the track “Mur mur ke na dekh mur mur ke.”

Sadhana as a chorus dancer in the movie Shree 420

Sadhana as a refrain dancer within the film Shree 420

The Indian director Sashadhar Mukherjee enrolled Sadhana in his performing faculty and she or he was repeatedly guided and supported by him. In 1960, Sashadhar Mukherjee gave Sadhana a giant break within the Indian movie business by starring her as a lead actress within the romantic comedy film ‘Love In Shimla.’

Sadhana in the movie love In Shimla

Sadhana within the film love In Shimla

In 1960, Sadhana did the film Love In Shimla below a 3-year-old contract with the Indian Filmalaya studio. Reportedly, for the primary yr, she was paid 750 rupees for a month and for the second yr 1500 rupees a month, and for the final yr 3000 rupees a month. On the finish of the contract, Sadhana commanded prime cash for her subsequent Bollywood movies.

The film ‘Love In Shimla’ was a smash-hit. Sadhana was a outstanding actress, who established herself in lots of different chartbuster films together with the comedies Parakh (1960) and Asli-Naqli (1962), the warfare movie Hum Dono (1961), and the adventurous movie Ek Musafir Ek Haseena (1962). She gave profound performances within the songs like ‘Naina Barse’ and ‘Lag Ja Gale’ that had a roaring success.

Sadhana was signed by veteran Indian movie director Bimal Roy for his movie ‘Parakh,’ which was primarily based on the Indian democracy in 1960. Sadhana portrayed as a easy village lady. The movie acclaimed multi awards and was semi=-hit on the field workplace. The track “O Sajna Barkha Bahar Aai” of this movie was sung by veteran Indian singer Lata Mangeshkar.

In 1968, Sadhana did an Oriya movie titled “Stree.” The film ‘Stree’ grew to become a booming hit.

Sadhana labored with Guru Dutt within the film ‘Picnic’ in 1964; nonetheless, it was left incomplete because of the premature demise of Guru Dutt. Nonetheless, a track from this film had survived and the lyrics of the track had been ‘kitna rangeen hai ye chaand sitaaron ka samaa.’

In 1964, Sadhana obtained the Filmfare nominations for her absolute efficiency within the film Woh Kaun Thi and Waqt.

Within the late Nineteen Sixties, Sadhana’s well being deteriorated because of the illness hyperthyroidism, which affected her much-admired eyes. She acquired handled in Boston, US.  Consequently, this remedy pressured her to take a small break from the work. Shivdasani resumed her performing profession in 1969 and carried out as a number one actress in two consecutive box-offices hit films—Ek Phool Do Maali and Inteqam. Nonetheless, these movies had been unpopular with the viewers.

Sadhana arrange a manufacturing firm alongside together with her husband, R Ok Nayyar, in 1974. Beneath her banner, she produced the film ‘Geeta Mera  Naam,’ which was against the law thriller film, alongside together with her husband and veteran actors Sunil Dutt and Feroz Khan. In 1989, Sadhana additionally produced the film ‘Pati Parmeshwar,’ starring Dimple Kapadia. In a while, she withdrew from performing. Shivdasani’s remaining display screen look within the film Ulfat Ki Nayee Manzeelein in 1994, which was within the delayed launch.

Sadhana with Waheeda Rehman in the movie 'Ulfat Ki Nayee Manzeelein' in 1994

Sadhana with Waheeda Rehman within the film ‘Ulfat Ki Nayee Manzeelein’ in 1994

Sadhana will without end be remembered for performing within the duet track sung by Mohammed Rafi–Asha Bhosle “Abhi Na Jaao Chodkar,” which is an evergreen hit track, other than all of the movies that she had finished. She was paired with veteran actor Dev Anand in 1961 within the film Hum Dono.

Loss of life

Sadhana died on 25 December 2015 on account of Most cancers in Mumbai, Maharashtra, India

Sadhana's last photo

Sadhana’s final photograph

Details/Trivia

  • Sadhana additionally goes by the title ‘The Thriller Woman.’
  • Sadhana was well-known for her haircut ‘Sadhana haircut,’ which she launched within the movie business and plenty of younger ladies of her time and age adopted that haircut.
  • Sadhana was born in Karachi (Now in Pakistan) and when she was 7-year-old in the course of the post-partition riots Shivdasani and her household migrated to Bombay.
    Childhood photo of Sadhana

    Childhood photograph of Sadhana

  • In an interview, Sadhana revealed that in 1950, she got here to India alongside together with her household, to calm down in Mumbai. She additional acknowledged that she favored to roam across the Mumbai sea and like whiskey with coke. She said-

    After the India-Pakistan Partition in 1947, my household got here to India. I used to be solely six years outdated. We moved from Delhi to Benaras to Calcutta earlier than settling down in Mumbai in 1950. Now, I can’t think about residing with out the Mumbai sea. In Mumbai, folks offer you area and but rally round in your hour of want. In addition to, it’s the one place the place, even within the ’60s I may announce that I wished a whiskey with coke with out elevating eyebrows.”

  • Love in Simla was Sadhana’s debut movie as a lead actress in 1960.
  • Ulfat Ki Nayee Manzeelein was Sadhana’s remaining display screen look and was delayed in launch.
  • Sadhana obtained IIFA Lifetime Achievement Award in 2002 for her marvelous performances within the Indian movie business.
  • Sadhana’s father named her after his favourite actress-dancer Sadhana Bose (an Indian actress and a dancer). She was the one youngster of her mother and father.
  • In childhood, Sadhana was tremendously impressed to change into a movie actress; nonetheless, she was allowed to look at as many as two movies solely by her strict mother and father.
  • In line with Sadhana, Nutan was her inspiration to the Bollywood movie business. She mentioned in an interview that she adopted Nutan. She said-

    If there was an actress I modeled myself within the traces of it was the versatile Nutan in ‘Seema’, ‘Sujata’ and ‘Bandini’. ‘Parakh’ was a movie the place I actually adopted Nutan.”

  • As soon as in 1958, at Filmalaya Studio (an Indian performing faculty in Mumbai) the veteran Indian actor Dev Anand personally met and complemented Sadhana-

    You’re a very fairly lady. You’ll make it actually huge as an actress.”

  • The ‘Sadhana lower’ was impressed by the British actress Audrey Hepburn. R.Ok. Nayyar created Sadhana’s trademark look. This distinctive coiffure grew to become a rage within the Nineteen Sixties and popularly generally known as “Sadhana Reduce” after the discharge of her debut film as a number one actress in ‘Love In Simla’ in 1960.
    Sadhana haircut inspired by Hollywood actress Audrey Hepburn’s hairstyle

    Sadhana haircut impressed by Hollywood actress Audrey Hepburn’s coiffure

  • Sadhana was paired with Indian veteran actor Rajendra Kumar within the film Mere Mehboob in 1963. In one of many scenes within the film, the place Rajendra Kumar needed to see Sadhna for the primary time by her burqa; the scene was thought-about one of the outstanding scenes in Hindi Cinema.
    A still from the movie Mere Mehboob, Sadhana with Indian veteran actor Rajendra Kumar

    A nonetheless from the film Mere Mehboob, Sadhana with Indian veteran actor Rajendra Kumar

  • As soon as, a shocked Danny Denzongpa described the facial features of Sadhana in a burqa within the film Mere Mehboob as “unforgettable!”
  • Sadhana paired with veteran actor Sunil Dutt within the film Waqt in 1965. In the course of the taking pictures of this film, Sadhana slips within the water across the out of doors bathe, and her co-star Sunil Dutt helped her.
    Sunil Dutt while helping Sadhana when she slipped into the water during the movie Waqt

    Sunil Dutt whereas serving to Sadhana when she slipped into the water in the course of the film Waqt

After the slipping incident, they went to take the bathe and Sunil was about to enter the ladies’s bathe. Nonetheless, Sadhana advised Sunil Dutt that he was coming into the incorrect, i.e. the ladies’s bathe cabin. She stopped him from coming into the blue door.

Waqt (1965), Sadhana telling Sunil Dutt that he was entering the wrong that was the women’s shower cabin and she stopped him from entering the blue door

Waqt (1965), Sadhana telling Sunil Dutt that he was coming into the incorrect that was the ladies’s bathe cabin and she or he stopped him from coming into the blue door

  • In an interview, Sadhana mentioned that her marriage was a hurricane and it was full of excellent and unhealthy moments. She defined,

    My marriage was a hurricane, there have been good and unhealthy moments, however we didn’t half methods. If he felt that I used to be too dominating and I felt that he introduced too many associates residence, we determined to offer one another area.”

  • Sadhana, throughout her performing profession, gave 28 blockbuster hit films out of a complete of 33 films she did in her performing profession. She gave 7 flop films.
  • In an interview, Sadhana acknowledged jokingly that she liked to do farming within the morning time and took time to had a therapeutic massage and play playing cards within the membership after her retirement from the movie business. She said-

    I do gardening for 2 hours within the morning. Then generally I take a therapeutic massage. After lunch, I’m going to the membership and play playing cards. Within the night I watch TV. I even have a bunch of non-filmi associates.”

  • In line with Sadhana, she hated funerals and didn’t wish to attend them. She visited the widow of her Waqt director Yash Chopra when he died and never went to his funeral and when her movie Dil Daulat Duniya (1972)’s main actor Rajesh Khanna died, she visited his widow Dimple Kapadia in particular person.
  • Reportedly, Sadhana was fluent in talking a number of languages, together with Sindhi (her mom tongue), Hindi, and English.
  • Sadhana affectionately known as her husband R. Ok. Nayyar with the nickname ‘Rummy.’
  • In line with Sadhana, dropping her child was the remorse of her life. She revealed it in one in every of her interviews. She said-

    I’ve only a few regrets — dropping my child was one in every of them.”

  • In an interview, Sadhana mentioned that her husband, R. Ok. Nayyar, advised her that she had three voices. She narrated the incident,

    Nayyarsaab advised me, ‘You will have three voices. One is your pure on a regular basis voice, one other voice that you just use to scream at me, and the third is the voice you’ve gotten cultivated for the display screen.”

  • In an interview, Sadhana mentioned that within the Indian movie business, Rajesh Khanna, Manoj Kumar, and Devanand had been her favourite co-actors. She acknowledged that Rajendra Kumar produced Aap Aaye Bahar Aayee together with her as his lead heroine and Dev Anand was all the time her particular. She acknowledged that Rajesh Khanna did a comedy image together with her, which was a blockbuster. She mentioned,

    Rajendra Kumar , Devanad and Rajesh Khanna had been my favourite co-stars. Rajendra Kumar and my pair all the time gave hits – Mere Mehboob, Arzoo, Aap Aaye Bahar Aayee. Raj Khosla stays my favorite director. . Ek Phool Do Mali, Anita, Mera Saaya, Woh Kaun Thi…every of them blockbusters. Dev was all the time particular – Asli Naqli and Hum Dono had been blockbusters. In Seventies at peak of his profession famous person Rajesh Khanna accepted comedy image Dil Daulat Duniya which was a sleeper hit. That was very gracious of him. Fortunate to have 28 blockbusters of 33 movies as heroine. I thank God for giving me an excellent partner R.Ok Nayyar.”

  • Sadhana’s elder sister Sarla was as soon as married to a person named Bhagwan Thadani. He wished to change into an actor. The rumored story was that Bhagwan Thadani married Sarla solely with the hope that Sadhana would promote and launch him within the Indian movie business.
  • Sadhana’s elder sister acquired married to a person named Bhagwan Thadani, who wished to change into an actor within the Indian movie business. He married Sarla, the elder sister of Sadhana as a result of he wished to enter the movie business by Sadhana Shivdasani and hoped that Sadhana would promote and launch him within the Indian movie business.
  • After the demise of Sadhana’s husband, R Ok Nayyar in 1995, Sadhna was left alone. Reportedly, she lived in an outdated bungalow in Mumbai, within the final days of her life. This bungalow belonged to Asha Bhosle.
  • In line with Sadhana, she had no affairs together with her co-actors throughout her performing profession. She revealed in an interview that her co-actors had been all married and she or he was too busy working within the movies that she had no time left for enthusiastic about social life. She explained-

    The issue was they had been all married – Raj Kapoor, Dev Anand, Shammi Kapoor, Shashi Kapoor, Sunil Dutt, Manoj Kumar, Rajendra Kumar. We labored from 9.30 am to six pm. By the point I returned residence, eliminated the spray from my hair and washed off the make-up, I used to be too drained. There was no time for a social life. It was strictly work and residential. My heroes additionally knew I used to be a no nonsense lady. They had been scared to make a cross at me. I loved working with all my heroes although Sunil Dutt, Shammi Kapoor and Rajendra Kumar had been my favorites.”

    Sadhana with co-actor Rajesh Khanna during a film shoot

    Sadhana with co-actor Rajesh Khanna throughout a movie shoot

  • In 2012, in an interview, Sadhana revealed her inside worry that she can be alone in her outdated days as she had no kids; nonetheless, she acknowledged that she had adopted a child alongside together with her mother and father. She said-

    Sure, I do worry that if one thing occurs to me, nobody can be round. However even those that have kids can’t rely on them. I do know so many moms who’re distressed about their kids and daughters-in-law, that I believe God has been sort to me. I’ve adopted (although not formally) a child when she was 5 minutes outdated. She and her mother and father stay with me. Her title is Rhea and she or he’s 10 now. She’s added a zing to my life. I don’t count on something from her but she offers me a lot love. She calls me Nani. I’ve deliberate for her schooling and marriage.”

  • In line with Sadhana, an artist ought to preserve a sure mystique on display screen and mentioned her picture as a ‘Thriller Woman’ within the Indian movie business. She said-

    I’ve all the time believed that an artist ought to preserve a sure mystique. She or he shouldn’t change into too acquainted, the general public shouldn’t see them too usually. The charisma grows in that manner, and that’s what’s known as star-power.”

  • In an interview, whereas discussing her thyroid drawback Sadhana mentioned that Mr. Rawail (an Indian director and producer) advised her that he would look ahead to her in making the film Sunghursh as she needed to take a relaxation due to the illness. She narrated the incident-

    After I signed Sunghursh (1968), my thyroid drawback cropped up. So I known as Mr. Rawail and advised him to signal one other heroine. Mr. Rawail dismissed it with, “If I may wait so lengthy for you for Mere Mehboob (1963), I can look ahead to Sunghursh too.” Nonetheless, 5 days later, I learn an enormous advert within the Display screen newspaper declaring Vyjayanthimala because the heroine of the movie. It harm. I didn’t discuss to Mr. Rawail thereafter.”

  • Throughout her performing profession within the Indian movie business, Sadhana was honored Sindhi Apsara Award for her deep magnificence.
    Sadhana while receiving Sindhi Apsara Award for her deep beauty

    Sadhana whereas receiving Sindhi Apsara Award for her deep magnificence

  • In 2013, in an interview, Sadhana revealed that she usually met actresses together with Asha Parekh, Waheeda Rehman, Nanda, and Helen Jairag Richardson. She additional mentioned that she didn’t communicate together with her first cousin Babita. She defined the fact-

    There have been three of us, Saira Banu, Asha Parekh and me. If the producers wished somebody fairly and ornamental they took Saira. In the event that they wished a dancer they’d take Asha, in the event that they wished histrionics they’d signal me. So there was no rivalry. Asha and I stored in contact. We’d want one another on our birthdays. However right now Waheeda Rehman, Asha, Nanda, Helen and I meet repeatedly over lunches. When 5 girls meet we all the time have one thing to speak about. Nanda and I are two of a sort, we don’t step out at public occasions in any respect.”

    Sadhana (first from right) with Helen, Waheeda Rehman, and Nanda in 2010

    Sadhana (first from proper) with Helen, Waheeda Rehman, and Nanda in 2010

  • In 2014, Sadhana made a uncommon look for an AIDS and most cancers consciousness program together with Indian Actor Ranbir Kapoor; nonetheless, she prevented making public appearances on account of her well being points.
  • Sadhana underwent thyroid surgical procedure in 2014. It was stunning information for her many associates together with Asha Parekh. Asha Parekh together with Waheeda Rehman mentioned that they had been shocked to listen to that her expensive pal had undergone such a important medical course of. They said-

    I had no clue of Sadhana’s surgical procedure, although we did suspect one thing was incorrect when Sadhana immediately misplaced enormous quantities of weight. Waheeda and I expressed concern she defined as the results of a brand new food regimen. However now I notice she was hiding her medical situation.”

  • In 2015, after the demise of Sadhana, in an interview, Ameet Mehta, the lawyer of Sadhana Shivdasani mentioned that Sadhana was not glad to attend the courtroom procedures at outdated age. She revealed that there have been three major instances involving the late actress. She said-

    Sadhana advised me that each one these authorized issues had been stressing her out alongside together with her unwell well being and superior age.”

  • In 2015, Sadhana’s outdated pal Tabassum (an Indian movie actress and discuss present host) was grieved on the funeral ceremony of Sadhana. She mentioned that Sadhana was poorly ailing and felt dejected. Tabassum advised the media particular person on the ceremony that none from the Indian movie business bothered to assist and help her throughout her final days. She remarked,

    Individuals from Bollywood are available trooping when there’s some celebration however they by no means hassle to seek out out what is occurring in somebody’s life. Are they glad or not. She requested many from the business to assist her as she couldn’t deal with her failing well being and authorized issues however none got here ahead. She didn’t have any family members. Seeing that none from the business is coming ahead, she even requested her followers to assist her. However remorse that there was no one to assist her.”

  • In 2018, Sadhna’s private stuff like letters, pictures, and notes was discovered with a scrap seller. Later, the Movie Heritage Basis (an NGO) claimed the stuff.
  • In an interview, when Sadhana’s film “Hum Dono” with veteran actor Dev Anand screened coloured within the Indian cinema halls, which was black and white earlier then Sadhana smiled and commented that she would undoubtedly watch the film. She mentioned,

    No, I’ll by no means are available public eye for this occasion however will certainly watch the movie in color to view how Dev, Nanda, myself and the complete movie seems.”

    Sadhana in a still from the coloured movie Hum Dono

    Sadhana in a nonetheless from the colored film Hum Dono

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